A műfaji film bibliográfiája

Műfajelmélet

Altman, Rick: A film és a mûfajok. In: Nowell-Smith, Geoffrey (ed.): Oxford Filmenciklopédia. Budapest: Glória, 1998. pp. 284–286.

Altman, Rick: Újrafelhasználható csomagolás. Mûfaji termékek és az újrafeldolgozási folyamat. In: Metropolis 1999/3. pp. 12–33.

Casetti, Francesco: A film és a kultúra: a mûfaj az archetípusok és a rituálék között. In: Casetti: Filmelméletek 1945–1990. Budapest: Osiris, 1998. pp. 251–255.

Grodal, Torben: A fikció mûfajtipológiája. In: Kovács András Bálint – Vajdovich Györgyi (eds.): A kortárs filmelmélet útjai. Budapest: Palatinus, 2004. pp. 320–355.

Gunning, Tom: “Nagyon finom teveszõr ecsettel rajzolták”: a filmes mûfajok eredetei. In: Kovács András Bálint – Vajdovich Györgyi (eds.): A kortárs filmelmélet útjai. Budapest: Palatinus, 2004. pp. 273–291.

Király Jenõ: Mágikus mozi. Mûfajok, mítoszok, archetípusok a filmkultúrában. Budapest: Korona, 1998.

Neale, Steve: Mûfajkérdések. In: Nagy Zsolt (ed.): Tarantino elõtt 1. Tömegfilm a nyolcvanas években. Budapest: Új Mandátum, 2000. pp. 12–44.

Andrew, Dudley J.: Mûfajok és szerzõk értékelése. In: Metropolis 1999/3. pp. 34–50.

Brown, Nick (ed.): Refiguring American Film Genres. History and Theory. Berkley–Los Angeles–London: Univeristy of California Press, 1998.

Cawelti, John G.: A népszerû mûfajok problémája. In: Nagy Zsolt (ed.): Tarantino elõtt 1. Tömegfilm a nyolcvanas években. Budapest: Új Mandátum, 2000. pp. 57–73.

Easthope, Antony: Gondolatok a mûfajról. In: Nagy Zsolt (ed.): Tarantino elõtt 1. Tömegfilm a nyolcvanas években. Budapest: Új Mandátum, 2000. pp. 45–56.

Grant, Barry Keith (ed.): The Film Genre Reader. Austin: University of Texas Press, 1986.

Gunning, Tom: Nonkontinuitás, kontinuitás, diszkontinuitás: a korai filmek mûfajainak elmélete. In: Kovács András Bálint – Vajdovich Györgyi (eds.): A kortárs filmelmélet útjai. Budapest: Palatinus, 2004. pp. 304–319.

Király Jenõ: Bevezetés a népszerû filmkultúra vizsgálatába. In: Király Jenõ (ed.): Film és szórakozás. Budapest: MOKÉP–Magyar Filmintézet és Filmarchívum, 1981. pp. 3–50.

Király Jenõ: Frivol múzsa I-II. Budapest: Nemzeti Tankönyvkiadó, 1993.

Neale, Steve: Genre. London: BFI, 1980.

Piotrovszkij, A.: A filmmûfajok elméletéhez. In: A film poétikája. Filmmûvészeti Könyvtár 58. Budapest: Magyar Filmtudományi Intézet és Filmarchívum, 1978. pp. 175–209.

Réz András: A beépülés modelljei: Adalékok a mûfaji film elméletéhez. In: Király Jenõ (ed.): Film és szórakozás. Budapest: MOKÉP–Magyar Filmintézet és Filmarchívum, 1981. pp. 111–145.

Wright, Judith Hess: A zsánerfilmek és a status quo. In: Nagy Zsolt (ed.): Tarantino elõtt 1. Tömegfilm a nyolcvanas években. Budapest: Új Mandátum, 2000. pp. 76–88.

Alloway, Lawrence: The Iconography of the Movies. Movie 1963/7. pp. 4–6.

Altman, Charles F.: Towards a Theory of Genre Film. In: Lawton, Ben–Staiger, Janet (eds.): Film: Historical-Theoretical Speculations. II. Pleasantville, NY.: Redgrave, 1977. pp. 31–43.

Altman, Rick: A Semantic/Syntactic Approach to Film Genre. Cinema Journal 1984/3. pp. 6–18.

Beauchamp, M.: T’as d’beaux genres, tu sais... 24 images 1990/47. pp. 27–28.

Bennett, Tony–Boyd-Bowman, Susan–Mercer, Colin–Woolacot, Janet (eds.): Popular Television and Film: A Reader. London: BFI, 1981.

Berry, Chris–Spigel, Lynn: The SCS in Pittsburgh. On Film 1984/12. pp. 42–44.

Bourget, Jean-Loup: Social Implications in the Hollywood Genres. Journal of Modern Literature 1973/2. pp. 191–200.

Braudy, Leo: Film Genre: A dialogue – The thirties, the forties. Post Script 1982/3. pp. 27–29.

Brophy, Philip (ed.): Stuffing, Film: Genre. Northcote: Stuff Publication, 1987.

Buscombe, Edward: The Idea of Genre in the American Cinema. Screen 1970/2. pp. 33–45.

Carroll, Noël: The Paradox of Junk Fiction. Philosophy and Literature 1994/2. pp. 225–241.

Casetti, Francesco: Les genres cinématographiques: quelques problemes de méthode. Ça cinéma 1979/18.

Cawelti, John G.: The Question of Popular Genres. Journal of Popular Film & Television 1985/2. pp. 55–61.

Cawelti, John G.: The Concept of Formula in the Study of Popular Culture. Journal of Popular Culture 1969/3. pp. 381–390.

Cohen, Ralph: Do Postmodern Genres Exist? Genre 1987/3–4. pp. 241–257.

Collins, Jim: Genericity in the Nineties: Eclectic Irony and the New Sincerity. In: Collins, Jim–Radner, Hilary–Preacher Collins, Ava: Film Theory Goes to the Movies. New York – London: Routledge, 1993. pp. 242–263.

Collins, Jim: When the Legend Becomes Hyperconscious, Print the… In: Collins, Jim: Architectures of Excess. New York–London: Routledge, 1995. pp. 125–156.

Collins, Richard: Genre: A Reply to Ed Buscombe. Screen 1970/4–5. pp. 66–75.

Corner, John: Meaning, Genre, and Context: The Problematics of “Public Knowledge” in the New Audience Studies. In: Curran, James–Gurewitch, Michael (eds.): Mass Media and Society. London: Edward Arnold, 1995.

Cunningham, Stuart: Hollywood Genres, Australian Movies. In: Moran, Albert–O’Regan, Tom (eds.): An Australian Film Reader. Sydney: Curreny Press, 1985. pp. 235–241.

De Cordova, Richard: Genre and Performance: An overview. In: Grant, Barry Keith (ed.): Film Genre Reader. Austin: University of Texas Press, 1986. pp. 129–139.

Deinstfrey, Harris: Hitch Your Genre to a Star. Film Culture 1964/34. pp. 35–37.

Dolmark, J.: Belezke k zsanru. Ekran 18 1981/4–5. pp. 23–26.

Durgnat, Raymond: Up Jumped the Devil, or, The Jack-in-Pandora’s Box: Can The Witches of Eastwick De-spook Genre Theory? Monthly Film Bulletin 1987/644. pp. 265–268.

Durgnat, Raymond: Genre: Populism and Social Realism. Film Comment 1975/4. pp. 20–29.

Dvorák, J.: Filmy v radach. Film a Doba 1983/1. pp. 31–34.

Eberwein, Robert T.: Genre and the Writerly Text. Journal of Popular Film and Television 1985/2. pp. 62–68.

Feuer, Jane: Genre Study and Television. In: Allen, Robert C. (ed.): Channels of Discourse, Reassembled: Television and Contemporary Criticism. London: Routledge, 1992. pp. 138–159.

Gledhill, Christine: Genre. In: Cook, Pam (ed.): The Cinema Book. London: BFI, 1985. pp. 58–64.

Grant, Barry K. (ed.): Film Genre: Theory and Criticism. Metuchen: Scarecrow Press, 1977.

Grant, Barry K.: Impressionism and Ideology: The State of Recent Film Genre Criticism. Canadian Review of American Studies 1983/1. pp. 107–118.

Grant, Barry K.: Film Genre: An Updated Bibliography. Literature/Film Quarterly 1982/3. pp. 188–199.

Grant, Barry K.: Tradition and the Individual Talent: Poetry in the Genre Film. In: Conger, Syndy M.– Welsch, Janice R.: Narrative Strategies: Original Essays in Film and Prose Fiction. Macomb IL.: Western Illinois University Press, 1981. pp. 93–103.

Grant, Barry Keith: Experience and Meaning in Genre Films. In: Grant, Barry Keith (ed.): Film Genre Reader. Austin: Texas University Press, 1986. pp. 114–128.

Grodal, Torben: Moving Pictures. A New Theory of Film Genres, Feelings and Cognition. Oxford: Oxford University Press, 1997.

Harris, K. M.: American Film Genres and Non-American Films: A Case Study of Utu. Cinema Journal 1990/2. pp. 36–59.

Hess, John: History, Politics, Style, and Genre. Jump Cut 1988/33. pp. 30–37.

Hietala, Veijo: Mahdoton avioliitto? Genreteorija ja snomalaien elokuves. Filmihullu 1989/3. pp. 4–9.

Hodsdon, Barrett: Genre: A Review. Cinema Papers 1974. Dec. pp. 338–341.

Hutchings, Peter: Genre Theory and Criticism. In: Hollows, Joanne–Jancovich, Mark (eds.): Approaches to Popular Film. Manchester: Manchester University Press, 1995.

Jenkins, H.: The Amazing Push-Me/Pull-You… Wide Angle 8 1986/3–4. pp. 35–44.

Joskevics, J.: Za szociologijata na zsanrovete. Kinoizkusztvo 1973/12. pp. 49–57.

Kaminsky, Stuart M.–Mahan, J. H.: American Television Genres. Chicago: Nelson-Hall, 1985.

Kaminsky, Stuart: American Film Genres: Approaches to a Critical Theory of Popular Film. Dayton OH.: Pflaum–Standard, 1974.

Klinger, Barbara: ‘Cinema/Ideology/Criticism’ – The Progressive Text. Screen 1984/1. pp. 30–44.

Klinger, Barbara: ‘Cinema/Ideology/Criticism’ Revisited: The progressive genre. In: Grant, Barry Keith (ed.): Film Genre Reader. Austin: Texas University Press, 1986. pp. 74–90.

Knee, A.: Liquid Sky, Repo Man and Genre. Wide Angle 8 1986/3–4. pp. 101–113.

Kolbenschlag, M. C.: Resources: Film And the American Experience. Jump Cut 1975/6. pp. 16–21.

Kolker, Robert P.: Film Genre: A dialogue – the eighties. Post Script 1982/3. pp. 30–32.

Kozlov, Leonyid: O zsanrovüh obscsnosztjah i oszobennosztyah. Iszkussztvo kino 1978/11. pp. 120–135.

Landrum, Larry N.: Recent Work in Genre. Journal of Popular Film and Television 1985/3. pp. 151–158.

Lavoie, André: En genre et un nombre. Ciné-Bullets 1994/1. pp. 57–58.

Lehmann, P.–Mitchell, E.–Hoekzema, L.: American Film Genre: An Interview with John Cawelti. Wide Angle 1978/2. pp. 50–57.

Lohmann, H.: Die Erschliessung der Filmspezifik durch filmisches Erzählen und durch Genrewertung. Filmwissenschaftliche Beiträge 1972/2. pp. 112–135.

Longhurst, Derek (ed.): Gender, Genre, and Narrative Pleasure. London: Unwin Hyman, 1989.

Lukow, Gregory–Ricci, Steven: The ‘Audience’ Goes ‘Public’: Intertextuality, Genre, and the Responsibilities of Film Literacy. On Film 1984/12. pp. 28–36.

Marabello, C.: Le lecrine e la forme. Segnocinema 1987/30. pp. 38–42.

Mayer, Geoff: Formula and Genre, Myths and Patterns. Australian Journal of Screen Theory 1978/4. pp. 59–65.

Michalek, Boleslaw: O pewnym porozumieniu. Kino 1978/7. pp. 58–59.

Pavlovský, Petr: Zanr v umeni z hlediska taxonomie. Film a Doba 1987/11. pp. 639–641.

Petlewski, Paul: Coplication of Narrative in the Genre Film. Film Criticism 4 (1979) no. 1. pp. 18–24.

Pjotorovszkij, A.: K teoriji filmszkih zvrszti. Ekran 1979/9–10. pp. 41–47.

Plazewsky, Jerzy: Czy “Nowa Przygoda” zdobedzie monopol na kino swiatowe? Kino 1990/1. pp. 1–8., 21–32.

Poague, Leland A.: The Problem of Film Genre: A Mentalistic Approach. Literature/Film Quarterly 1978/2. pp. 152–161.

Pye, Douglas: Genre and Movies. Movie 1975/20. pp. 29–43.

Ryall, Tom: The Notion of Genre. Screen 1970/2. pp. 22–32.

Ryall, Tom: Genre and Hollywood. In: Hill, John–Church Gibson, Pamela (eds.): The Oxford Guide to Film Studies. Oxford: Oxford University Press, 1998. pp. 327–338.

Schatz, Thomas: The Structural Influence: New directions in film genre study. Quarterly Review of Film Studies 1977/3. pp. 302–312.

Schatz, Thomas: New Directions in Film Genre Study: A reply to Charles F. Altman. In: Lawton, Ben–Staiger, Janet (eds.): Film: Historical-Theoretical Speculations. II. Pleasantville, NY.: Redgrave, 1977. pp. 44–52.

Schatz, Thomas: Hollywood Genres: Formulas, Filmmaking, and the Studio System. New York: Random House, 1981.

Schiff, S.: The Repeatable Experience. Film Comment 1982/2. pp. 34–36.

Schlepern, Peter: Om genrebegrebet. Kosmorama 1976/131. pp. 301–305.

Schmidt, Kaare: Mere om genrebegrebet. Kosmorama 1978/138. pp. 135–138.

Small, E. S.: Literary and Film Genres: Toward a Taxonomy of Film. Literature/Film Quarterly 1979/4. pp. 290–299.

Sobchack, Thomas: Genre Film: A Classical Experience. Literature/Film Quarterly 1975/3. pp. 196–204.

Sobchack, Vivian: Genre Film: Myth, Ritual, and Sociodrama. In: Thomas, Sari (ed.): Film/Culture: Explorations od Cinema in Its Social Context. Metuchen NJ.: Scarecrow Press, 1982. pp. 147–165.

Solomon, Stanley J.: Film Study and Genre Courses. College Composition and Communication 1974. Oct. pp. 277–283.

Solomon, Stanley J.: Beyond Formula: American Film Genres. New York: Harcourt Brace Jovanovich, 1976.

Thrum, B.: Der Mensch und sein weites Feld. Film und Fernsehen 9 (1981) no. 6. pp. 6–7.

Tudor, Andrew: Genre: Theory and Malpractice in Film Criticism. Screen 1970/6. pp. 33–43.

Vernet, Marc: Genre. Film Reader 1978/3. pp. 13–17.

Williams, Alan: Is a Radical Genre Criticism Possible? Quarterly Review of Film Studies 1984/2. pp. 121–125.

Williams, Linda: Film Bodies: Gender, Genre and Excess. Film Quarterly 1991/4. pp. 2–13.

Wood, Robin: Ideology, Genre, Auteur. Film Comment 1977/1. pp. 46–51.

Yacowar, Maurice: Recent Popular Genre Movies: Awash and Aware. Journal of Popular Film 1975/4. pp. 297–305.

Zaoral, Zdenek: Filmové zanry – pokno o klasszifikaci. Film a Doba 1979/1. pp. 41–47.

Zaoral, Zdenek: Filmové zanry –Metodologije rozboru. Film a Doba 1979/2. pp. 102–109.