A műfaji film bibliográfiája
Történelmi film
Bibliográfia:
Történelmi film
(háborús film, történelmi eposz)
Ajánlott irodalom magyar nyelven:
Schubert Gusztáv: A vad szem (Gladiátor) Filmvilág 2000/7. pp. 19–22.
Vaskó Péter: Szép halál (G. I. Joe moziba megy) Filmvilág 2003/4. pp. 17–23.
Ajánlott irodalom:
Aberth, John: A Knight at the Movies. Medieval History on Film. New York: Routledge, 2003.
Aldgate, Anthony: Britain Can Take It: The British Cinema in the Second World War. Edinburgh: Edinburgh University Press, 1994.
Ansen, David: Hollywood goes to war. Newsweek Dec. 3. 2001. pp. 68-71.
Babington, Bruce – Evans, Peter William: Biblical Epics. Sacred Narrative in the Hollywood Cinema. Manchester, 1993.
Baker, M. Joyce: Images of Women in Film: The War Years, 1941-1945. Ann Arbor, Mich.: UMI Research Press, 1980.
Basinger, Jeanine: The World War II Combat Film: Anatomy of a Genre. New York: Columbia University Press, 1986.
Beumers, Birgit: Myth-Making and Myth-Taking: Lost Ideals and the War in Contemporary Russian Cinema. Canadian Slavonic Papers-Revue Canadienne des Slavistes. 2000/1-2. pp. 171-89.
Bohn, Thomas W.: An Historical and Descriptive Analysis of the "Why We Fight" Series. New York: Arno Press,1977.
Britain and the Cinema During the Second World War. Ed.: Taylor, Philip M. Basingstoke: Macmillan, 1988.
Campbell, Craig W.: Reel America and World War I: A Comprehensive Filmography and History of Motion Pictures in the United States, 1914-1920. Campbell.Jefferson, N.C.: McFarland, 1985.
Carnes, Mark C.: World War I: five films. In: (ed.): Ted Mico, John: Past imperfect: history according to the movies. New York: H. Holt, 1995.
Chapman, James: The British at war: cinema, state, and propaganda, 1939-1945London; New York, N.Y.: I.B. Tauris Publishers; New York, N.Y.: Distributed by St. Martin's Press, 1998.
Chapman, James: Cinema, Propaganda and National Identity: British Film and the Second World War. In: Ashby, Justine – Higson, Andrew (eds.): British cinema, past and present. London; New York, NY: Routledge, 2000. pp. 193-206.
Christensen, Terry: The 1940s: Hollywood Goes to War. In: Projecting politics: political messages in American film. Armonk, N.Y.: M.E. Sharpe, 2005.
Chung, Hye Seung: From Saviors to Rapists: G. I.s, Women, and Children in Korean War Films. Asian Cinema.2001/1. pp. 103-16.
Coultass, Clive: Images for Battle: British Film and the Second World War, 1939-1945. Newark: University of Delaware Press; London: Associated University Presses, 1989.
Cullen, Jim: The Civil War in Popular Culture: A Reusable Past.Washington: Smithsonian Institution Press, 1995.
Daniel, Joseph: Guerre et Cinema; Grandes Illusions et Petits Soldats, 1895-1971. Paris: A. Colin, 1972.
Davenport, Robert Ralsey: The Encyclopedia of war movies: the authoritative guide to movies about wars of the twentieth century. New York: Facts On File/Checkmark Books, 2004.
Dick, Bernard F.: The Star-Spangled Screen: the American World War II Film. Lexington, Ky.: University Press of Kentucky, 1985.
Doherty, Thomas Patrick: Projections of War: Hollywood, American Culture, and World War II. New York: Columbia University Press, 1993.
Donald, Ralph: From 'Knockout Punch' to 'Home Run:' Masculinity's 'Dirty Dozen' Sports Metaphors in American Combat Films." Film and History 2005/1. pp. 20-28.
Dolan, Edward F.: Hollywood Goes to War. Twickenham: Hamlyn, 1985.
Donald, Ralph R.: Masculinity and machismo in Hollywood's war films. In: Craig, Steve (ed.): Men, masculinity, and the media. Newbury Park, Calif.: Sage, 1992.
Eberwein, Robert: As a Mother Cuddles a Child': Sexuality and Masculinity in World War II Combat Films. In: Lehman, Peter (ed.): Masculinity: bodies, movies, culture. New York: Routledge, 2001. pp. 149-66.
Elley, Derek: The epic film: myth and history. London; Boston: Routledge & Kegan Paul, 1984.
Film and the First World War. Ed.: Dibbets, Karel – Hogenkamp, Bert. Amsterdam: Amsterdam University Press, 1995.
The First World War and popular cinema: 1914 to the present. Ed.: Paris, Michael. New Brunswick, N.J.: Rutgers University Press, 2000.
Fyne, Robert: The Hollywood Propaganda of World War II. Metuchen, N.J.: Scarecrow Press, 1994.
Gates, Philippa: 'Fighting the Good Fight': The Real and the Moral in the Contemporary Hollywood Combat Film. Quarterly Review of Film and Video, 2005/4. pp. 297-310.
Gheorghiu-Cernat, Manuela: Arms and the Flm: War-and-Peace in European Films. Bucharest: Meridane, 1983.
Hodgkins, John: In The Wake Of Desert Storm: A Consideration Of Modern World War II Films.Journal of Popular Film and Television 2002/2. pp. 74-84.
Hoopes, Roy: When the Stars Went to War: Hollywood and World War II. New York: Random House, 1994.
Isenberg, Michael T.: War on Film: the American Cinema and World War I, 1914-1941. Rutherford: Fairleigh Dickinson University Press, 1981.
Jancovich, Mark: Dwight Macdonald and the Historical Epic. In: Tasker, Y. (ed.): Action and Adventure Cinema. London, 2004. pp. 84–100.
Junkelmann, Marcus: Hollywoods Traum von Rom. Gladiator und die Tradition des Monumentalfilms. Mainz, 2004.
Kane, Kathryn: Visions of War: Hollywood Combat Films of World War II. Ann Arbor, Mich.: UMI Research Press, 1982.
Klossner, Michael: The Europe of 1500-1815 on film and television. A worldwide filmography. Jefferson, 2002.
Koppes, Clayton R.: Hollywood Goes to War: How Politics, Profits, and Propaganda Shaped World War II Movies. New York: Free Press; London: Collier Macmillan, 1987.
Koppes, Clayton R.: Hollywood Goes to War: How Politics, Profits, and Propaganda Shaped World War II Movies. Berkeley: University of California Press, 1990.
Korte, Barbara: The Grandfathers' War: Re-Imagining World War I in British Novels and Films of the 1990s. In: Cartmell, Deborah – Hunter, I.Q. – Whelehan, Imelda (eds.): Retrovisions: reinventing the past in film and fiction. London; Sterling, Va.: Pluto Press, 2001. pp. 120-34
Landon, Philip J.: From cowboy to organization man: the Hollywood war hero, 1940-1955. Studies in Popular Culture 1989/1. pp. 28-41.
Lentz, Robert J.: Korean War filmography: 91 English language features through 2000. Jefferson, N.C.: McFarland, 2003.
Linder, Ann P.: Great War Narratives into Film: Transformation, Reception, and Reaction. International Fiction Review, 2001/1-2. pp. 1-12.
Linville, Susan E.: History Films, Women, and Freud’s Uncanny. Austin Texas, 2004.
Manvell, Roger: Films and the Second World War. South Brunswick, A. S. Barnes [1974].
McAdams, Frank: The American war film: history and Hollywood. Westport, Conn.: Praeger, 2002.
Michel, Sonya: Danger on the home front: motherhood, sexuality, and disabled veterans in American postwar films. In: Cooke, Miriam – Woollacott, Angela (eds): Gendering war talk. Princeton, N.J.: Princeton University Press, 1993.
Montgomery, Garth: "Realistic" war films in Weimar Germany: entertainment as education. Historical Journal of Film, Radio and Television 1989/2. pp. 115-133.
Past Imperfect. History according to the Movies. Ed.: Carnes, Mark C. New York, 1995
Preston, Catherine: 1942: Movies and the March to War. In: American cinema of the 1940s : themes and variations. New Brunswick, N.J. : Rutgers University Press, 2006.
Propaganda, Politics, and Film, 1918-45. Ed.: Pronay, Nicholas – Spring, D.W. London: Macmillan Press, 1982.
Rattigan, Neil: The Last Gasp of the Middle Class: British War Films of the 1950s. In: Dixon, Wheeler Winston (ed.): Re-viewing British cinema, 1900-1992: essays and interviews. Albany: State University of New York Press, 1994. pp. 143-53.
Renov, Michael: Hollywood's Wartime Woman: Representation and Ideology. Ann Arbor, Mich.: UMI Research Press, 1988.
Rollins, Peter C.: America, World War II, and the movies: an annotated booklist. Film & History 1997/1-4. pp. 96-107.
Rubin, Steven Jay: Combat films: American realism, 1945-1970. Jefferson, N.C.: McFarland, 1981.
Sarris, Andrew: The War Film. In: Sarris, Andrew: "You ain't heard nothin' yet": the American talking film, history & memory, 1927-1949. New York: Oxford University Press, 1998.
Shewring, Anne L.: We Didn't Do That Did We? Representation of the Veteran Experience. Journal ofAmerican & Comparative Cultures. 2000/4. pp. 51-66.
Shull, Michael S.: Doing Their Bit: Wartime American Animated Short Films, 1939-1945. Jefferson, N.C.: McFarland, 1987.
Shull, Michael S.: Hollywood war films, 1937-1945: an exhaustive filmography of American feature-length motion pictures relating to relating to World War II. Jefferson, N.C.: McFarland & Co., 1996.
Simone, Sam: Hitchcock As Activist: Politics and the War Films. Ann Arbor, Mich.: UMI Research Press, 1985.
Sklar, Robert: Film and World War II. In: Film: an international history of the medium. New York: H.N. Abrams, 1993.
Smith, Gary Allen: Epic Films. Casts, Credits and Commentary on Over 350 Historical Spectacle Movies. Jefferson NC, 2004.
Suid, Lawrence H.: Guts & glory: the making of the American military image in film. Lexington: University Press of Kentucky, 2002.
Suid, Lawrence H.: Stars and stripes on screen : a comprehensive guide to portrayals of American military on film. Lanham, Md.: Scarecrow Press, 2005.
Virilio, Paul: Guerre et cinema. Paris: Editions de l'Etoile: Diffusion, Seuil, 1984.
Virilio, Paul: War and cinema: the logistics of perception.London; New York: Verso, 1989.
War and film in America: historical and critical essays. Ed.: Matelski Marilyn J. – Street Lynch, Nancy. Jefferson, N.C.: McFarland, 2003.
The War Film. New Brunswick, N.J.: Rutgers University Press, 2005.
Wyke, Maria: Projecting the Past. Ancient Rome, Cinema and History. London & New York: Routledge, 1997.
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