A műfaji film bibliográfiája

Film noir

Ardai Zoltán: Emberünk a fõcsõben. (Raymond Chandler) Filmvilág 2000/9. pp. 32–36.

Berkes Ildikó – Nemes Károly: A bûnügyi film. Budapest: Uránusz, 2001.

Bikácsy Gergely: Hidegtál, sok késsel. Filmvilág 1986/4. pp. 29–33.

Borde, Raymond – Chaumeton, Étienne: Panorama du Film Noir Americain, 1941-1953. San Francisco: City Lights Books, 2002.

Durgnat, Raymond: Paint It Black: the Family Tree of the Film Noir. In: Film Noir Reader. Eds.: Alain Silver, James Ursini. New York: Limelight Editions, 1996.

Hardy, Phil: Bûnügyi filmek. In: Nowell-Smith, Geoffrey (ed.): Oxford Filmenciklopédia. Budapest: Glória, 1998. pp. 314–322.

Horváth Antal Balázs: Járatlan úton. Filmvilág 2000/8. pp. 22–24.

Horváth Antal Balázs: Fekete fuvar. (Edgar G. Ulmer: Terelõút) Filmvilág 2002/12. pp. 42–43.

Horváth Antal Balázs: Halott ember. (Billy Wilder: Gyilkos vagyok) Filmvilág 2003/6. pp. 50–51.

Horváth Antal Balázs: Bomba a határon. (Orson Welles: A gonosz érintése) Filmvilág 2004/1. pp. 52–53.

Kovács András Bálint: A domináns férfi alkonya (A postás mindig kétszer csenget) Filmvilág 1998/4. pp. 10–12

Kovács András Bálint: Sötét filmek. (A film noir és a modernitás) Filmvilág 2000/6. pp. 4–10.

Kovács András Bálint: A film új filozófiája – és az “átmenet” filmjei. In: Kovács: A film szerint a világ. Budapest: Palatinus, 2002. pp. 132–180.

Kovács András Bálint: A klasszikus elbeszélés feloldódása: a film noir és a modernizmus. In: Kovács: A modern film irányzatai. Budapest: Palatinus, 2005. pp. 264–274.

Kovács Marcell: Mélysötét. (Anthony Mann film noirjai) Filmvilág 2006/3. pp. 16–17.

Kömlõdi Ferenc: Álmodsz, aztán meghalsz (William Irish) Filmvilág 2000/9. pp. 36–39.

Köves Gábor: Film noir: A fekete széria. Filmtett 2002/19-20-21.

Kubiszyn Viktor: A félelem csak álom. (Charles Laughton: A vadász éjszakája) Filmvilág 2004/3. pp. 47–49.

Kubiszyn Viktor: A halál kék angyala (Jean-Pierre Melville: A szamuráj) Filmvilág 2004/4. pp. 36–37.

Muller, Eddie: Dark City: The Lost World of Film Noir. New York: St. Martin's Griffin, 1998. Magyarul részletek: Sötét város (A film noir elveszett világa) Filmvilág 2000/8. pp. 28–35.; Sötét város (A film noir elveszett világa 2) Filmvilág 2000/9. pp. 40–47.

Place, J. L. – Peterson, L. S.: Some Visual Motifs of Film noir. In: Bill Nichols (ed.): Movies and Methods: An Anthology. Berkeley–Los Angeles–London: University of California Press, 1976. pp. 325–336.

Schrader, Paul: Notes on Film Noir. In: Film Genre Reader II. Austin: University of Texas Press, 1995. Magyarul: Piszkos világszínpad. (Jegyzetek a film noirról) Filmvilág 2001/4. pp. 40–43.

Schubert Gusztáv: A detektívek bûne (Rekviem a film noirért) Filmvilág 2001/4. p. 39.

Scorsese, Martin: A Personal Journey with Martin Scorsese Through American Movies. London: Faber and Faber Limited, 1997. (FSZEK)

Simsolo, Noël: Le film noir: vrais et faux cauchemars. Paris: Cahiers du cinéma, 2005. (FSZEK)

Varró Attila: Walker, mon amour (John Boorman: Point Blank) Filmvilág 2003/7. pp. 16–19.

Varró Attila: A Hatlövetû jegyében (Film noir: menekülõ szerelmesek) Filmvilág 2005/1. pp. 12–16.

Abbott, Megan E.: The street was mine: white masculinity in hardboiled fiction and film noir. New York: Palgrave Macmillan, 2002.

Agostinelli, Alessandro: Una filosofia del cinema americano: individualismo e noir. Pisa: ETS, 2004.

Arthur, Paul: The Gun in the Briefcase: Or, the Inscription of Class in Film Noir. In: David E. James, Rick Berg (eds.): The Hidden Foundation: Cinema and the Question of Class. Minneapolis: University of Minnesota Press, 1996. pp. 90-113.

Arthur, Paul: Murder's Tongue: Identity, Death, and the City in Film Noir. In: J. David Slocum (ed.): Violence and American cinema. New York: Routledge, 2001. pp. 153-75.

Biesen, Sheri Chinen: Blackout: World War II and the origins of film noir. Baltimore: John Hopkins University Press, 2005.

Bondebjerg, Ib: Danish film noir: style, themes and narration. In: Lennard Hejbjerg & Peter Schepelern (eds.): Film style and story: a tribute to Torben Grodal. Copenhagen: Museum Tusculanum Press, 2003.

Bould, Mark: Film noir: from Berlin to Sin City. London; New York: Wallflower, 2005.

Buhle, Paul: Politics and mythology of film art: the noir era. In: Paul Buhle, Dave Wagner (eds): Radical Hollywood: the untold story behind America's favorite movies. New York: New Press, 2002.

Buss, Robin: French Film Noir. London; New York: M. Boyars, 1994.

Butler, David: Jazz noir: listening to music from Phantom lady to The last seduction. Westport, Conn.: Praeger, 2002.

Chopra-Gant, Mike: Hollywood genres and postwar America: masculinity, family and nation in popular movies and film noir. London; New York: I.B. Tauris Pub., 2006.

Christopher, Nicholas : Somewhere in the Night: Film Noir and the American City. New York: Free Press, 1997.

Cochran, David: America Noir: underground writers and filmmakers of the postwar era.Washington [D.C.]: Smithsonian Institution Press, 2000.

Crowther, Bruce: Film Noir: Reflections in a Dark Mirror. New York: Continuum, 1989.

Davis, Blair: Horror meets noir: the evolution of cinematic style, 1931-1958. In: Steffen Hantke (ed.): Horror film: creating and marketing fear. Jackson: University Press of Mississippi, 2004.

Dickos, Andrew: Street with no name: a history of the classic American film noir. Lexington: University Press of Kentucky, c2002.

Dimendberg, Edward: Film noir and the spaces of modernity. Cambridge, Mass.: Harvard University Press, 2004.

Dixon, Wheeler Winston: The Endless embrace of Hell: Hopelessness and betrayal in film noir. In: Murray Pomerance (ed.): Cinema and modernity. New Brunswick, N.J.: Rutgers University Press, 2006.

Gifford, Barry: Out of the past: adventures in film noir. Jackson, Miss.: University Press of Mississippi, 2001.

Guerif, Francois: Le Film Noir Americain.. [Bordeaux]: Editions H. Veyrier, 1979.

Hannsberry, Karen Burroughs: Femme Noir: Bad Girls of Film. Jefferson, N.C.: McFarland, 1998.

Hare, William: Early film noir: greed, lust and murder Hollywood style. Jefferson, N.C.: McFarland, 2003.

Hare, William: L.A. noir: nine dark visions of the City of Angels. Jefferson, N.C.: McFarland, c2004.

Hirsch, Foster: The Dark Side of the Screen: Film Noir. New York, N.Y.: Da Capo Press, 1983.

Hockley, Luke: Film noir: archetypes or stereotypes? In: Christopher Hauke, Ian Alister (eds.): Jung & film: post-Jungian takes on the moving image. Hove, East Sussex; New York: Brunner-Routledge, 2001.

Karimi, Amir Massoud: Toward a Definition of the American Film Noir (1941-1949). New York: Arno Press, 1976.

Keaney, Michael F.: Film noir guide: 745 films of the classic era, 1940-1959. Jefferson, N.C.: McFarland, 2003.

Krutnik, Frank: In a Lonely Street: Film Noir, Genre, Masculinity. London; New York: Routledge, 1991.

Lott, Eric: The Whiteness of Film Noir. In: Larry J. Reynolds, Gordon Hutner (eds): National imaginaries, American identities: the cultural work of American iconography. Princeton, N.J.: Princeton University Press, 2000.

Luhr, William: Raymond Chandler and Film. Tallahassee: Florida State University Press; 1991.

Lyons, Arthur: Death on the cheap: the lost B movies of film noir. [New York]: Da Capo Press, 2000.

Martin, Richard: Mean Streets and Raging Bulls: The Legacy of Film Noir in Contemporary American Cinema. Lanham, Md.: Scarecrow Press, 1997.

Maxfield, James F.: The Fatal Woman: Sources of Male Anxiety in American Film Noir, 1941-1991. Madison: Fairleigh Dickinson University Press; London: Associated University Presses, 1996.

Menegaldo, Gilles: Flashbacks in Film Noir. In: Francois Gallix, Vanessa Guignery (eds.): Crime fictions: Subverted codes and new structures. Paris: Presses de l'universite Paris-Sorbonne, 2004.

Muller, Eddie: The art of noir: the posters and graphics from the classic era of film noir.Woodstock: Overlook Press, 2002.

Muller, Eddie: Dark city dames: the wicked women of film noir. New York: Regan Books, 2001.

Naremore, James: More Than Night: Film Noir in its Contexts. Berkeley: University of California Press, 1998.

Naremore, James: Hitchcock at the Margins of Noir. In: Richard Allen, S. Ishii-Gonzales (eds.): Alfred Hitchcock: Centenary Essays. London: British Film Institute, 1999. pp: 263-77

Ottoson, Robert: A Reference Guide to the American Film Noir, 1940-1958. Metuchen, N.J.: Scarecrow Press, 1981.

Palmer, R. Barton: Hollywood's Dark Cinema: the American Film Noir. New York: Twayne Publishers, 1994.

Phillips, Gene D.: Creatures of darkness: Raymond Chandler, detective fiction, and film noir. Lexington: University Press of Kentucky, 2000.

Place, Janey: Women in film noir. In: Tony Bennett (ed.): Popular fiction: technology, ideology, production, reading. London; New York: Routledge, 1990. Popular fiction series.

Reichert, Tom – Melcher, Charlene: Film noir, feminism, and the femme fatale: the hyper-sexed reality of Basic instinct. In: Marian Meyers (ed.): Mediated women: representations in popular culture. Cresskill, N.J.: Hampton Press, 1999.

Renzi, Thomas C.: Cornell Woolrich: from pulp noir to film noir. Jefferson, N.C.: McFarland & Co., 2006.

Rich, Nathaniel: San Francisco noir: the city in film noir from 1940 to the present. New York: Little Bookroom, 2005

Richardson, Carl: Autopsy: An Element of Realism in Film Noir. Metuchen, N.J.: Scarecrow Press, 1992.

Sarris, Andrew: The Film Noir. In: "You ain't heard nothin' yet": the American talking film, history & memory, 1927-1949. New York: Oxford University Press, 1998.

Schwartz, Ronald: Neo-noir: the new film noir style from Psycho to Collateral. Lanham, Md.: Scarecrow Press, 2005.

Schwartz, Ronald Noir, now and then: film noir originals and remakes (1944-1999). Westport, CT: Greenwood Press, 2001.

Selby, Spencer: Dark City: The Film Noir. Jefferson, N.C.: McFarland, 1984.

Silver, Alain: L.A. noir: the city as character. Santa Monica, CA : Santa Monica Press, 2005.

Silver, Alain: The Noir Style. Woodstock, N.Y.: Overlook Press, 1999.

Sobchack, Vivian: Lounge Time: Postwar Crises and the Chronotope of Film Noir. In: Nick Browne (ed.): Refiguring American Film Genres: History and Theory. Berkeley: University of California Press, 1998. pp: 129–70

Spicer, Andrew: Film noir. Harlow, England; New York: Longman/Pearson Education, 2002.

Stephens, Michael L.: Film Noir: A Comprehensive, Illustrated Reference to Movies, Terms, and Persons. Jefferson, N.C.: McFarland, 1995.

Telotte, J. P.: Voices in the Dark: The Narrative Patterns of Film Noir. Urbana: University of Illinois Press, 1989.

Tuska, John: Dark Cinema: American Film Noir in Cultural Perspective. Westport, Conn.: Greenwood Press, 1984.

Wager, Jans B.: Dames in the driver's seat : rereading film noir. Austin: University of Texas Press, 2005.

Wager, Jans B.: Dangerous Dames: Women and Representation in the Weimar Street Film and Film Noir. Athens: Ohio University Press, 1999.

Zizek, Slavoj: The Thing That Thinks: The Kantian Background of the Noir Subject. In: Joan Copjec (ed.): Shades of Noir: A Reader. London; New York: Verso, 1993; pp: 199-226.