A mûfaji film bibliográfiája

Király Jenõ: Az ellenvilág mito-logikája (Mesélés és ábrázolás: Sirk és Fassbinder). In: Király: Frivol múzsa I. Budapest: Nemzeti Tankönyvkiadó, 1993. pp. 199–213.

Király Jenõ: Kommentárok Kertész Mihály: Casablanca címû filmjének repólõtéri képsorához. In: Király: Frivol múzsa I. Budapest: Nemzeti Tankönyvkiadó, 1993. pp. 254–295.

Kovács András Bálint: Tehetetlen érzelmek. A modern melodráma. Filmvilág 2002/3. pp. 35–39.

Kovács András Bálint: Melodráma és modernizmus. In: Kovács: A modern film irányzatai. Budapest: Palatinus, 2005. pp. 106–115.

Stõhr Lóránt: Wong Kar-wai és a melodráma. Metropolis 2005/4. pp. 36–51.

Stõhr Lóránt: Nincs alku. Lars von Trier melodrámái. Metropolis 2006/2. pp. 40–58.

Varró Attila: Az örök trónkövetelõ. Stroheim melodrámái. Filmvilág 2006/10. pp. 44–45.

Ajánlott irodalom:

Barefoot, Guy: Gaslight melodrama: from Victorian London to 1940s Hollywood. New York: Continuum, 2001.

Byars, Jackie: All that Hollywood allows: re-reading gender in 1950s melodrama. Chapel Hill: University of North Carolina Press, 1991.

Cavell, Stanley: Contesting tears: the Hollywood melodrama of the unknown woman. Chicago: University of Chicago Press, 1996.

Cook, Pam: No Fixed Address: The Women's Picture from Outrage to Blue Steel. In: Screening the past: memory and nostalgia in cinema. London; New York: Routledge, 2005.

Doane, Mary Ann: Clinical eye: medical discourses in the "woman's film" of the 1940s. In: Suleiman, Susan Rubin (ed.): The Female body in Western Culture: contemporary perspectives. Cambridge, Mass.: Harvard University Press, 1986.

Elsaesser, Thomas: Tales of Sound and Fury: Observations on the Family Melodrama. In: Grant, Barry Keith (ed.): Film genre reader II. Austin: University of Texas Press, 1995. pp. 50-80.

Fischer, Lucy: Cinematernity: film, motherhood, genre. Princeton, N.J.: Princeton University Press, 1996.

Gaines, Jane: Fire and Desire: Race, Melodrama, and Oscar Micheaux. In: Diawara, Manthia (ed.): Black American Cinema. New York: Routledge, 1993.

Gaines, Jane: The Melos in Marxist Theory. In: James, David E – Berg, Rick (eds.): The Hidden Foundation: Cinema and the Question of Class. Minneapolis: University of Minnesota Press, 1996. pp. 56-71.

Gallagher, Mark: I married Rambo: spectacle and melodrama in the Hollywood action film. In Sharrett, Christopher (ed.): Mythologies of violence in postmodern media. Detroit, MI: Wayne State University Press, 1999.

Home is where the heart is: studies in melodrama and the woman's film. Ed.: Gledhill, Christine. London: BFI, 1987.
Imitations of life: a reader on film & television melodrama. Ed.: Landy, Marcia. Detroit: Wayne State University Press, 1991.

Joyrich, Lynne: All that television allows: TV melodrama, postmodernism, and consumer culture. In: Spigel, Lynn – Mann, Denise (eds.): Private screenings: television and the female consumer. Minneapolis: University of Minnesota Press, 1992.

Kaplan, E. Ann: Motherhood and representation: the mother in popular culture and melodrama. London; New York: Routledge, 1992.

Kaplan, E. Ann: Classical Hollywood Film and Melodrama. In: Hill, John – Gibson, Pamela (eds.): The Oxford guide to film studies. Oxford; New York: Oxford University Press, 1998. pp. 272-82

Kauffmann, Stanley: Film: melodrama and popular culture: Melodrama and farce: a note on a fusion in film. In: Gerould, Daniel: Melodrama. Martinsville, N.J.: Analecta Enterprises, 1980.

Kim, Soyoung: Questions of Woman's Film: The Maid, Madame Freedom, and Women. In: South Korean golden age melodrama: gender, genre, and national cinema. Detroit: Wayne State University Press, 2005. pp. 185-200.

Kuhn, Annette: Women's Genres: Melodrama, Soap Opera and Theory. In: Thornham, Sue (ed.): Feminist film theory: a reader. New York: New York University Press, 1999. pp. 146-56.

Kuhn, Annette: Women's pictures: feminism and cinema. London; New York: Verso, 1994.

Landy, Marcia: Melodrama and Femininity in Second World War British Cinema. In: Murphy, Robert (ed.): The British cinema book. London: British Film Institute, 2001. pp. 119-26.

Lang, Robert: American film melodrama: Griffith, Vidor, Minnelli. Princeton, N.J.: Princeton University Press, 1989.

Lehman, Peter: Crying over the Melodramatic Penis: Melodrama and Male Nudity in Films of the '90s. In: Lehman, Peter (ed.): Masculinity: bodies, movies, culture. New York: Routledge, 2001.

Leibowitz, Flo: Apt Feelings, or Why 'Women's Films' Aren't Trivial. In: Bordwell, David – Carroll, Noel (eds.): Post-theory: reconstructing film studies. Madison: University of Wisconsin Press, 1996.

Lutz, Tom: Men's Tears and the Roles of Melodrama. In: Shamir, Milette – Travis, Jennifer (eds.): Boys don't cry?: rethinking narratives of masculinity and emotion in the U.S.. New York: Columbia University Press, 2002. pp. 185-204.

Mayer, David – Day-Mayer, Helen: A 'Secondary Action' or Musical Highlight? Melodic Interludes in Early Film Melodrama Reconsidered. In: Abel, Richard – Altman, Rick (eds.): The sounds of early cinema. Bloomington: Indiana University Press, 2001. pp. 220-31.

McHugh, Kathleen Anne: American domesticity: from how-to manual to Hollywood melodrama. New York: Oxford University Press, 1999.

Melodrama and Asian cinema. Ed.: Dissanayake, Wimal. Cambridge; New York: Cambridge University Press, 1993.
Melodrama: stage, picture, screen. Ed.: Bratton, Jacky – Cook, Jim – Gledhill, Christine. London: British Film Institute, 1994.

Mercer, John: Melodrama : genre, style, sensibility. London; New York: Wallflower, 2004.

Mulvey, Laura: 'It Will Be a Magnificent Obsession': The Melodrama's Role in the Development of Contemporary Film Theory. In: Bratton, Jacky – Cook, Jim – Gledhill, Christine (eds.): Melodrama: stage, picture, screen. London: British Film Institute, 1994. pp. 121-33.

Nowell-Smith, Geoffrey: Genre criticism. Minnelli and melodrama. In: Nichols, Bill: Movies and methods: an anthology. Berkeley: University of California Press, 1976.

Oroz, Silvia: Melodrama: o cinema de lagrimas da America Latina. Rio de Janeiro, RJ : Rio Fundo Editora, 1992.

Partington, Angela: Melodrama's Gendered Audience. In: Franklin, Sarah – Lury, Celia & Stacey, Jackie (eds.): Off-centre: feminism and cultural studies. London; New York: Harper Collins Academic, 1991. pp. 49-68.

Robards, Brooks: Reel Art: Excursions into the Biopic, Mystery/Suspense, Melodrama and Movies in the Eighties. In: Loukides, Paul – Linda Fuller, K. (eds.): Beyond the stars. Vol 3: The material world in American popular film. Bowling Green, Ohio: Bowling Green University Popular Press, 1990. pp. 106-20.

Rowe, Kathleen: Comedy, melodrama, and gender. In: Brunovska Karnick, Kristine – Jenkins, Henry (eds.): Classical Hollywood comedy. New York: Routledge, 1995.

Rowe, Kathleen: Melodrama and men in post-classical romantic comedy. In: Kirkham, Pat – Thumin, Janet (eds.): Me Jane: masculinity, movies, and women. New York: St. Martin's Press, 1995.

Sharratt, Bernard: The Politics of the Popular? From Melodrama to Television. In: Bradby, David – James, Louis – Sharratt, Bernard: Performance and politics in popular drama: aspects of popular entertainment in theatre, film, and television, 1800-1976. Cambridge; New York: Cambridge University Press, 1980. pp. 275-295.

Singer, Ben: Female power in the serial-queen melodrama: the etiology of an anomaly. In: Abel, Richard: Silent film. New Brunswick, N.J. : Rutgers University Press, 1996.

Singer, Ben: Melodrama and modernity: early sensational cinema and its contexts. New York: Columbia University Press, 2001.

Sobchack, Thomas: Interiors: The Space of Melodrama. In: Loukides, Paul – Fuller, Linda K.: Beyond the stars. Vol. 4: Locales in American popular film. Bowling Green, Ohio : Bowling Green University Popular Press, 1990. pp. 261-77.

Tasker, Yvonne: Female friendship: melodrama, romance, feminism. In: Working girls: gender and sexuality in popular cinema. London; New York: Routledge, 1998.

Walsh, Andrea S.: Women's film and female experience, 1940-1950. New York: Praeger, 1984.

Williams, Linda: The American Melodramatic Mode. In: Williams, Linda: Playing the race card: melodramas of black and white from Uncle Tom to O.J. Simpson. Princeton, N.J.: Princeton University Press, 2001.

Williams, Linda: Melodrama revised. In: Browne, Nick (ed.): Refiguring American film genres: history and theory. Berkeley: University of California Press, 1998.

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