A műfaji film bibliográfiája

Vígjáték

Bazin, André: Charlie Chaplin. In: Bazin: Mi a film? Budapest: Osiris, 1999. pp. 155–224.

Bendazzi, Giannalberto: Woody Allen. Pécs: Alexandra, 1997.

Kerr, Walter: The Silent Clowns. New York: Knopf, 1975.

Lahue, Kalton C.: World of Laughter. Norman, Oklahoma: University of Oklahoma Press, 1966.

Montgomery, John: Comedy Films: 1894–1954. London: George Allen and Unwin, 1954.

Paul, William: Laughing, Screaming. Modern Hollywood Horror and Comedy. New York: Columbia University Press, 1994. (FSZEK)

Robinson, David: Buster Keaton. London: Secker and Warburg, 1969.

Robinson, David: The Great Funnies: A History of Film Comedy. London: Studio Vista, 1969.

Robinson, David: Chaplin. His Life and Art. London: Collins, 1985.

Robinson, David: Vígjátékok. In: Nowell-Smith, Geoffrey (ed.): Oxford Filmenciklopédia. Budapest: Glória, 1998. pp. 80–89.

Szalay Károly: A geg nyomában. Budapest: Magvetõ, 1972.

Szalay Károly: Chaplin. Budapest: Gondolat, 1978.

Szalay Károly: Mai magyar filmvígjáték: Beteljesülések és elszalasztott lehetõségek.

Budapest: Magvetõ, 1978.

Szalay Károly: Jacques Tati. Budapest: Magyar Filmtudományi Intézet és Filmarchívum, 1982.

Ádám Péter: Tizenegy dollár. (Billy Wilder) Filmvilág 2001/5. pp. 40–41.

Bikácsy Gergely: Idióták a családban. Chaplin, Keaton, Tati. Filmvilág 1990/6. pp. 16–20.

Bikácsy Gergely: Világegyetem, Kaucsuksarok. (Tati: Playtime) Filmvilág 1998/4. pp. 50–52.

Bóna László: Felebohócok. Filmvilág 2000/1. pp. 45–49.

Buglya Zsófia: Komikum a dokumentumfilmben. Pergõ Képek 20-21. pp. 39–54.

Földényi F. László: A gépírólány esete a filmrendezõvel. (Mauritz Stiller modernsége) Filmvilág 1993/8. pp. 30–34.

Karátson Gábor: Buster Keaton még csak száz éves. Filmvilág 1996/4. pp. 36–41.

Kovács Ilona: A gondola alakú hamutartó. Ernst Lubitsch filmvígjátékai. Filmvilág 1984/4. pp. 22–29.

Köves Gábor: A talált zseni (Preston Sturges-portré) Filmvilág 2006/2. pp. 38–39.

Molnár Gál Péter: Buster Keaton, Beckett bohóca. Filmvilág 1980/6. pp. 27–29.

Molnár Gál Péter: Így élni jó! Frank Capráról. Filmvilág 1991/11. 34–35.

Molnár Gál Péter: Fõúr, kérek egy táncost! (Billy Wilder) Filmvilág 2002/6. pp. 42–44.

Molnár Gál Péter: Bolond világ. A Marx-fivérek. Filmvilág 2006/4. pp. 40–41.

Takács Ferenc: Az élet õsze. Monty Python avagy a hülyéskedés diadala. Filmvilág 1990/8. pp. 38–43.

Vaskó Péter: Honderû. Új filmvígjátékok. Filmvilág 2006/4. pp. 9–12.

Babington, Bruce – Evans, Peter William: “Affairs to Remember: The Hollywood Comedy of Sexes.” Manchester England: Manchester University Press, 1989.

Beach, Christopher: Class, Language, and American Film Comedy. Cambridge: Cambridge University Press, 2002. (FSZEK)

Byrge, Duane – Miller, Robert Milton: The Screwball Comedy: A History and Filmography, 1934–1942. Jefferson North Carolina: McFarle Co., 1991.

Capra, Frank: The Name Above the Title. New York: Macmillian Co., 1971.

Cavell, Stanley: Pursuits of Happiness: The Hollywood Comedy of Remarriage. Cambridge, MA: Harvard University Press, 1981.

Fowkes, Katherine A.: Giving Up the Ghost. Spirits, Ghosts and Angels in Mainstream Comedy Films. Detroit, 1998

Gehring, Wes D.: Romantic vs. Screwball Comedy: charting the difference. Lanham MD: Scarecrow Press, 2002.

Harvey, James: Romantic Comedy in Hollywood, from Lubitsch to Sturges. New York: Knopf, 1987.

Heller, Heinz-B.– Steinle, Matthias (Hg.): Filmgenres: Komödie. Stuttgart: Reclam, 2005

Horton, Andrew S. (ed.): Comedy/Cinema/Theory. Berkley and Los Angeles, California: University of California Press, 1991.

Jenkins, Henry – Karnick, Kristine Brunovska (Eds.): Classical Hollywood Comedy. New York: Routledge, 1995.

Jenkins, Henry: What Made Pistachio Nuts? Early Sound Comedy and the Vaudeville Aesthetic. NY: Columbia University Press, 1992.

Krutnik, Frank (Ed.): Hollywood Comedians. The Film Reader. London: Routledge, 2003.

Kendall, Elizabeth: The Runaway Bride: Hollywood Romantic Comedy of the 1930s. New York: Alfred R. Knopf, 1990.

King, Geoff: Film Comedy. London: Wallflower Press, 2002.

Krautz, Alfred (Ed.): Encyclopedia of Film Directors in the United States of America and Europe, Vol.I: Comedy Films to 1991. München: K. G. Saur Verlag, 1994.

Langman, Larry: Encyclopedia of American film comedy. Garland Science,1987.
Mast, Gerald: The Comic Mind: Comedy and the Movies. Chicago: University of Chicago Press, 1979.

Mather, Nigel: Tears of laughter. Comedy-drama in 1990s British cinema. Manchester: UP, 2005.

Miller, Blair. American Silent Film Comedies: an illustrated encyclopedia of persons, studios, and terminology. McFarland and Co,1995.

Nachman, Gerald: Seriously Funny. The Rebel Comedians of the 1950s and 1960s. New York: Pantheon, 2003.

Ott, Frederick: The Films of Carole Lombard. Secaucus, NJ: The Citadel Press, 1973.

Orth, Stefan – Valentin, Joachim– Zwick, Reinhold (Hg.): Göttliche Komödien. Religiöse Dimensionen des Komischen im Kino. Köln, Marburg 2001.

Paul, William: The Impossibility of Romance: Hollywood Comedy, 1978-99. In: Neale, Steve (Ed.): Genre and Contemporary Hollywood. London: British Film Institute, 2002. pp.117-129.

Rickman, Gregg: The Film Comedy Reader. Limelight Editions, 2004.

Siegel, Scott – Siegel, Barbara: American film comedy. Macmillan General Reference,1994.

Sikov, Ed: Laughing Hysterically. American Screen Comedy of the 1950s. New York: Columbia Univeristy Press, 1994.

Vineberg, Steve: High Comedy in American Movies. Class and Humor from the 1920s to the Present. Lanham/MD: Rowman & Littlefield, 2005

Winokur, Mark: American Laughter. Immigrants, Ethnicity, and 1930s Hollywood Film Comedy. Palgrave: London, 1996.

Witte, Karsten: Lachende Erben, Toller Tag. Filmkomödie im Dritten Reich. Berlin, 1995.