A hegyvidék mítoszától a Trainspottingig: a skót film felemelkedése
Bibliográfia
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Hill, John. British Cinema in the 1980s: Issues and Themes. Oxford: Clarendon Press, 1999.
Hodge, John. Trainspotting and Shallow Grave. London: Faber and Faber, 1996.
Jackson, Ellen-Raissa. „Dislocating the Nation: Political Devolution and Cultural Identity on Stage and Screen”. Edinburgh Review 110: 120-135.
Lury, Karen. „Here and There: Space, Place and Nostalgia in British Youth Cinema of the 1990s”. Murphy 100-108.
MacArthur, Colin. „Braveheart and the Scottish Aesthetic Dementia”. Screening the Past: Film and the Representation of History. Szerk. Tony Barta. Westport: Pragere, 1998. 167-187.
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Murray, Jonathan. „Contemporary Scottish Film”. Irish Review 28 (2001): 75-88.
Nairn, Tom. The Break-Up of Britain: Crisis and Neo-Nationalism. London: Verso, 1981.
O’Hagan, Andrew. „The Boys Are Back in Town: Trainspotting”. Film/Literature/Heritage: A Sight and Sound Reader. Szerk. Ginette Vincendeau. London: BFI Publishing, 2001. 223-227.
Pittock, Murray. The Invention of Scotland: The Stuart Myth and Scottish Identity, 1963 to the Present. London, 1991.
Smith, Murray. Trainspotting. BFI Modern Classics. London: BFI Publishing, 2002.
Richards, Jeffrey. Films and British National Identity: From Dickens to Dad’s Army. Manchester: Manchester University Press, 1997.
Sinfield, Alan. „A széthúzás politikája és kultúrái”. Ford. Sári László. Irodalomkutatás és a kultúra materialitása. Budapest: Janus/Gondolat, 2004. 243-270.
Trevor-Roper, Hugh. „Ther Invention of Tradition: The Highland Tradition of Scotland”. Eric Hobsbawm és Terence Ranger (szerk.). The Invention of Tradition. London: 1983, 15-41.
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