A műfaji film bibliográfiája
Bűnügyi film
Bibliográfia:
Bûnügyi film
(krimi, thriller, gengszterfilm)
Alapvetõ irodalom:
Auzel, Dominique: Alfred Hitchcock. Pécs, Alexandra Kiadó, 2001.
Báron György: A technokrata rendezõ. Brian De Palma portréjához. Filmvilág 1989/10. pp. 22–25.
Berkes Ildikó – Nemes Károly: A bûnügyi film. Budapest: Uránusz Kiadó, 2001.
Bikácsy Gergely: Hidegtál, sok késsel. Bûnügyi film francia módon. Filmvilág 1986/4. pp. 29–34.
Bikácsy Gergely: A kések és a formák. Zuhanás Hithcockkal. Filmvilág 1986/10. pp. 2–7.
Bikácsy Gergely: Melville és a francia bûnügyi film. In: Bikácsy: Bolond Pierrot moziba megy. Budapest: Héttorony, 1992. pp. 231–241.
Bikácsy Gergely: A bûn Ikaruszai. Orson Welles. Filmvilág 1997/2. pp. 32–37.
Bikácsy Gergely: Radosch felügyelõ lábfürdõje. Bécsi vér. Filmvilág 1998/6. pp. 41–43.
Bodolai László: Szig. biz. Kémek a moziban. Filmvilág 2002/10. pp. 14–19.
British crime cinema. Eds.: Chibnall, Steve – Murphy, Robert. London; New York: Routledge, 1999. (FSZEK)
Derry, Charles: The suspense thriller: films in the shadow of Alfred Hitchcock. Jefferson, N.C.: McFarland, c1988.
Fä rber, Helmut: Hitchcock. In: Filmélet. Budapest: Magvetõ, 1968. pp. 190–208.
Hardy, Phil: Bûnügyi filmek. In: Nowell-Smith, Geoffrey (ed.): Oxford Filmenciklopédia. Budapest: Glória, 1998. pp. 314–322.
Hegyi Gyula: Esténként a felügyelõ. Filmvilág 1984/4. pp. 57–60.
Hitchcock, Alfred: A borzongás, a feszültség és a nézõ. In: Gottlieb, Sidney (ed.): Alfred Hithcock. Budapest: Osiris, 2001. pp. 119–173.
Hungler Tímea: Szép a rút. Sorozatgyilkos-filmek. Filmvilág 2001/2. pp. 45–47.
Hungler Tímea: Kémhatások. Filmvilág 2002/10. pp. 26–28.
Király Jenõ: A bûn prófétái. Gengsztermítoszok. Filmvilág 1991/2. pp. 21–29.
Király Jenõ: A bûn kalandja. In: Király: Frivol múzsa I. Budapest: Nemzeti Tankönyvkiadó, 1993. pp. 367–389.
Koltai Ágnes: A bûn története. Krimi magyar módra. Filmvilág 1986/10. pp. 10–13.
Kovács István: Az adósságtól a gyilkosságig. Lengyel bûnfilmek. Filmvilág 2000/10. pp. 26–28.
Kovács Marcell: Agyfürkészõk. Amerikai paranoiafilmek. Filmvilág 2003/7. pp. 8–12.
A krimi. Ed.: Keszthelyi Tibor. Budapest: Gondolat, 1985.
Pápai Zsolt: Thrillerhez öltözve. Brian De Palma portréja. Filmvilág 1999/1. pp. 36–39.
Pápai Zsolt: Halotti beszédek. Klasszikus gengszterfilmek. Filmvilág 2005/7. pp. 26–30.
Rubin, Martin: Thrillers. Cambridge, UK; New York, NY, USA: Cambridge University Press, 1999.
Stõhr Lóránt: Az ellenállás tragikomédiája. Jean-Pierre Melville. Filmvilág 2004/5. pp. 29–34.
Takács Ferenc: Az író, aki bejött a hidegrõl. Le Carré kémei. Filmvilág 2002/10. pp. 20–23.
Trosin, Alexander: Újra szól a kalasnyikov. Orosz maffiafilmek. Filmvilág 2000/10. pp. 22–25.
Trosin, Alexander: Keresd a nõt! Az orosz krimi nemet vált. Filmvilág 2002/1. pp. 34–38.
Truffaut, Francois: Hitchcock. Budapest: Magyar Filmintézet – Pelikán Kiadó, 1996.
Vajda Judit: A thriller mûfajtörténete 1-3. Filmtett 2003/július-október.
Varga Zoltán: A félelem formái. A klasszikus és a kortárs thriller összevetése A félelem órái két verziója alapján. Apertúra 2005/1. http://www.apertura.hu/2005/osz/varga/
Varró Attila: Szebb tegnap. Hongkongi filmtriád. Filmvilág 2000/7. pp. 28–31.
Varró Attila: A köztünk élõ szörnyeteg. Lon Chaney, a gazember. Filmvilág 2005/7. pp. 31–32.
Ajánlott irodalom:
Baxter, John: The gangster film. London: A. Zwemmer; New York: A. S. Barnes [1970].
Brode, Douglas: Money, women, and guns: crime movies from Bonnie and Clyde to the present. Secaucus, N.J.: Carol Pub. Group, 1995.
Chadder, Viv: The Higher Heel: Women and the Post-War British Crime Film. In: Murphy, Robert (ed.): The British cinema book. British Film Institute, 2001. pp. 66-80 London.
Chibnall, Steve: Get Carter. London; New York: I.B. Tauris, 2003.
Chibnall, Steve: Travels in Ladland: The British Gangster Film Cycle 1998-2001. In: Murphy, Robert (ed.): The British cinema book. British Film Institute, 2001. pp. 281-91.
Clarens, Carlos: Crime movies: from Griffith to the Godfather – and beyond. New York: Norton, 1980
Cocchiarelli, Joseph J.: Screen sleuths: a filmography. New York: Garland Pub., 1992.
Crime fiction and film in the Southwest: bad boys and bad girls in the badlands. Ed.: Glassman, Steve – O'Sullivan, Maurice J. Bowling Green, OH: Bowling Green State University Popular Press, 2001.
The detective in American fiction, film, and television. Eds.: Delamater, Jerome H. – Prigozy, Ruth. Westport, Conn.: Greenwood Press, 1998.
The Devil himself: villainy in detective fiction and film. Eds.: Gillis, Stacy – Gates, Philippa. Westport, Conn.: Greenwood Press, 2002.
Durgnat, Raymond: Some Lines of Inquiry into Post-War British Crimes. In: Murphy, Robert (ed.): The British cinema book. British Film Institute, 2001. pp. 135-45
Everson, William K.: The bad guys; a pictorial history of the movie villain. New York, Citadel Press [1964].
Everson, William K.: The detective in film. Secaucus,N.J., Citadel Press [1972].
Gemunden, Gerd: The gangster film and melodrama of Rainer Werner Fassbinder. In: Framed visions: popular culture, Americanization, and the contemporary German and Austrian imagination. Ann Arbor: University of Michigan Press, 1998.
Guerrero, Ed: Black Violence as Cinema: From Cheap Thrills to Historical Agonies. In: Slocum, J. David (ed.): Violence and American cinema. New York: Routledge, 2001. pp. 212-25.
Haydock, Ron: Deerstalker!: Holmes and Watson on screen. Metuchen, N.J.: Scarecrow Press, 1978.
Karpf, Stephen Louis: The gangster film: emergence, variation, and decay of a genre, 1930-1940. New York: Arno Press, 1973.
King, Neal: Heroes in hard times: cop action movies in the U.S. Philadelphia: Temple University Press, 1999.
Kitwana, Bakari: Young, don't give a fuck, and Black: Black gangster films. In: The hip hop generation: young Blacks and the crisis in African American culture. New York: Basic Civitas, 2002.
Langman, Larry: A guide to American crime films of the thirties. Westport, Conn.: Greenwood Press, 1995.
Langman, Larry: A guide to American crime films of the forties and fifties. Westport, Conn.: Greenwood Press, 1995.
Langman, Larry: A guide to American silent crime films. Westport, Conn.: Greenwood Press, 1994.
Lee, Raymond: Gangsters and hoodlums; the Moffittrworld in the cinema. South Brunswick [N.J.]: A. S. Barnes, 1971.
Leitch, Thomas M.: Crime films. Cambridge; New York: Cambridge University Press, 2002.
Luhr, William: Raymond Chandler and film. Tallahassee: Florida State University Press; Gainesville, FL: University Presses of Florida, 1991.
Lyden, John: Genre and film analyses: Gangster films. In: Lyden, John: Film as religion: myths, morals, and rituals. New York: New York University Press, 2003.
Maltby, Richard: The Spectacle of Criminality. In: Slocum, J. David (ed.): Violence and American cinema. New York: Routledge, 2001. pp. 115-52.
Mason, Fran: American gangster cinema: from Little Caesar to Pulp fiction. New York : Palgrave Macmillan, 2002.
McCarty, John: Bullets over Hollywood : the American gangster picture from the silents to The Sopranos. Cambridge, MA: Da Capo Press, 2004.
McCarty, John: Hollywood gangland: the movies' love affair with the mob. New York: St. Martin's Press, 1993.
McDonald, Keiko Iwai: The Yakuza Film: An Introduction. In: Nolletti, Jr, Arthur – Desser, David (eds.): Reframing Japanese cinema : authorship, genre, history. pp. 165-92. Bloomington: Indiana University Press, 1992.
Mitchell, Edward: Apes and essences: some sources of significance in the American gangster film. In: Grant, Barry Keith: Film genre reader II. Austin: University of Texas Press, 1995.
Mob culture: hidden histories of the American gangster film. Ed.: Grieveson, Lee – Sonnet, Esther – Stanfield, Peter. New Brunswick, N.J.: Rutgers University Press, 2005.
Munby, Jonathan: Public enemies, public heroes: screening the gangster from Little Caesar to Touch of Evil. Chicago: University of Chicago Press, 1999.
Neale, Steve: Westerns and gangster films since the 1970s. In: Neale, Steve (ed.): Genre and contemporary Hollywood. London: BFI Publishing, 2002.
Parish, James Robert: The great cop pictures. Metuchen, N.J.: Scarecrow Press, 1990.
Pendo, Stephen: Raymond Chandler on screen: his novels into film. Metuchen, N.J.: Scarecrow Press, 1976.
Pitts, Michael R.: Famous movie detectives. Metuchen, N.J.: Scarecrow Press, 1979.
Pitts, Michael R.: Famous movie detectives II. Metuchen, N.J.: Scarecrow Press, 1991.
Rafter, Nicole Hahn: Shots in the mirror: crime films and society. Oxford; New York: Oxford University Press, 2000.
Reid, Mark A.: The Black Gangster. In: Grant, Barry Keith (ed.): Film genre reader II. Austin: University of Texas Press, 1995. pp. 456-73.
Rosow, Eugene: Born to lose: the gangster film in America. New York: Oxford University Press, 1978.
Sarris, Andrew: Gangster Films. In: Sarris, Andrew: "You ain't heard nothin' yet": the American talking film, history & memory, 1927-1949. New York: Oxford University Press, 1998.
Schilling, Mark: The yakuza movie book: a guide to Japanese gangster films. Berkeley, Calif.: Stone Bridge Press, 2003.
Shadoian, Jack: Dreams & dead ends: the American gangster film. Oxford; New York: Oxford University Press, 2003.
Skene Melvin, David: Crime, detective, espionage, mystery, and thriller fiction and film: a comprehensive bibliography of critical writing through 1979. Westport, Conn.: Greenwood Press, 1980.
Smith, Jim: Gangster films. London: Virgin Books, 2004.
Soister, John T.: Of Gods and monsters: a critical guide to Universal Studios' science-fiction, horror, and mystery films, 1929-1939. Jefferson, N.C.: McFarland, 1999.
Steinbrunner, Chris: The films of Sherlock Holmes. Secaucus, N.J.: Citadel Press, 1978.
Stephens, Michael L.: Gangster films: a comprehensive, illustrated reference to people, films, and terms. Jefferson, N.C.: McFarland, 1996.
Sumser, John: Morality and social order in television crime drama. Jefferson, N.C.: McFarland, 1996.
Tuska, Jon: The detective in Hollywood. Garden City, N.Y.: Doubleday, 1978.
Tuska, Jon: In manors and alleys: a casebook on the American detective film. New York: Greenwood Press, 1988.
White, Jonathan David: Bisexuals Who Kill: Hollywood's Bisexual Crimewave, 1985-1998. In: Beemyn, Brett – Steinman, Erich (eds.): Bisexual men in culture and society. New York; London: Harrington Park, 2002.
Wilt, David E.: Hollywood's Detective. In: Rollins, Peter C. (ed.): The Columbia companion to American history on film: how the movies have portrayed the American past. New York: Columbia University Press, 2003.
Wires, Richard: John P. Marquand and Mr. Moto: spy adventures and detective films. Muncie, Ind.: Ball State University, 1990.
Yaquinto, Marilyn: Pump 'em full of lead: a look at gangsters on film. New York: Twayne; London: Prentice Hall International, 1998.
Zalcock, Beverley: Renegade sisters. London: Creation, 2001.
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