A műfaji film bibliográfiája

Westernfilm

Bibliográfia:

Westernfilm

 

Alapvetõ irodalom:

Anderson, Lindsay: About John Ford. London: Plexus, 1981.

Bazin, André: A western avagy a par excellence amerikai filmmûvészet. In: Berkes Ildikó (ed.): A western. Antológia. Budapest: Magyar Filmtudományi Intézet és Filmarchívum, 1980. pp. 12–18.

Bazin, André: A western fejlõdése. In: Király Jenõ (ed.): Film és szórakozás. pp. 146–154.

Berkes Ildikó (ed.): A western. Antológia. Budapest: Magyar Filmtudományi Intézet és Filmarchívum.

Berkes Ildikó: A western. Budapest: Gondolat, 1986.

Buscombe, Edward: A western. In: Geoffrey Nowell-Smith (ed.): Oxford Filmenciklopédia. Budapest: Glória, 1998. pp. 294–303.

Buscombe, Edward: The Searchers. London: BFI, 2000. (FSZEK)

Buscombe, Edward (ed.): The BFI Companion to the Western. New York: Atheneum, 1988.
Deleuze, Gilles: A mozgás-kép. Budapest: Osiris, 2001. pp. 195–199., 221–223.

Gyárfás Endre: Bölénynyúzók. A vadnyugat népköltészete és a westernfilm. Filmvilág 1983/11. pp. 36–41.

Hahner Péter: Hatlövetû történelem. Western: legendák és tények. Filmvilág 2004/5. pp. 30–37.

Hahner Péter: Az idegen belovagol a városba… Anthony Mann westernjei. Filmvilág 2006/3. pp. 10–15.

Jarmusch, Jim: Te, szegény fehér ember. Filmvilág 2006/3. pp. 8–9.

Király Jenõ: Apropó western… In: Király Jenõ (ed.): Film és szórakozás. Mokép – Magyar Filmtudományi Intézet és Filmarchívum, 1981. pp. 155–236.

Király Jenõ: Terror és kultúra. In: Király: Mágikus mozi. Mûfajok, mítoszok, archetípusok a filmkultúrában. Budapest: Korona Kiadó, 1998. 118–143.

Keogh, Peter: A westernhõs színeváltozásai. Beszélgetés Clint Eastwooddal. Filmvilág 2005/5. p. 9.

Mauriac, Claude: A cowboy mitológiája. In: Kenedi János (ed.): Írók a moziban. Budapest: Magvetõ, 1971. pp. 375–377.

Milne, Tom: Western. The Aurum Film Encyclopedia. London: Aurum Press, 1983. (FSZEK)

Nevelõs Zoltán: Rosszak és csúfak. Eurowestern. Filmvilág 2004/7. pp. 26–31.

O’Neill, Edward R.: Clint Eastwood. In: Geoffrey Nowell-Smith (ed.): Oxford Filmenciklopédia. Budapest: Glória, 1998. 488–489.

Pápai Zsolt: Hardcore vadnyugat. Sam Peckinpah westernfilmjei. Filmvilág 2004/6. pp. 46-49.

Scorsese, Martin: A Personal Journey with Martin Scorsese Through American Movies. London: Faber and Faber Limited, 1997. (FSZEK)

Szántai János: A western története. Filmtett 2001/10, 11, 12.

Tyler, Parker: A ló – a férfierõ totemállata. In: Berkes Ildikó (ed.): A western. Antológia. Budapest: Magyar Filmtudományi Intézet és Filmarchívum, 1980. pp. 18–20.

Weddle, David: Sam Peckinpah – If They Move, Kill ‘Em! Faber and Faber, 1994. Magyarul részletek: Vad bandák. Sam Peckinpah – a megreformált vadnyugat. Filmvilág 2004/5-9.

Wenders, Wim: Ennyi az egész: szín-helyek, szín-játszók, színt-vallók. In: Wenders: Írások, beszélgetések. Budapest: Osiris, 1999. pp. 8–12.

Wright, Will: A hatlövetû és a társadalom. In: Berkes Ildikó (ed.): A western. Antológia. Budapest: Magyar Filmtudományi Intézet és Filmarchívum, 1980. pp. 20–52.

 

 

 

Ajánlott irodalom magyar nyelven:

Báron György: Két férfi, aki… (John Ford: Aki megölte Liberty Valance-t) Filmvilág 2004/10. pp. 42–45.

Géczi Zoltán: A komponista, aki lelõtte az éneklõ cowboyt. Morricone westernzenéi. Filmvilág 2004/7. pp. 32–33.

Géczi Zoltán: A civilizáció peremvidékén. (Anthony Mann: A férfi Laramie-ból) Filmvilág 2004/8. pp. 40–41.

Géczi Zoltán: Öt hosszú év a pokolban (John Ford: Az üldözõk) Filmvilág 2004/10. pp. 46–47.

Hahner Péter: Az ismeretlen ismerõs (Howard Hawks) Filmvilág 2004/10. pp. 32–41.

Kovács Marcell: Türelemjáték. Monte Hellman indie-westernjei. Filmvilág 2004/12. pp. 17–19.

Kubiszyn Viktor: Közösség elleni izgatás. (Fred Zinnemann: Délidõ) Filmvilág 2004/7. pp. 34–35.

Kubiszyn Viktor: A névtelen ember. Clint Eastwood, a desperado. Filmvilág 2005/5. pp. 4–8.

Nevelõs Zoltán: Spagetti a havon. (Sergio Corbucci: A halál csöndje) Filmvilág 2004/8. pp. 42–43.

Pápai Zsolt: Sírfelirat. (John Ford: Aki megölte Liberty Valance-t) Filmvilág 2002/6. pp. 56.

Pápai Zsolt: Téli álom. (Robert Altman: McCabe és Mrs. Miller) Filmvilág 2003/11. p. 49.

Turcsányi Sándor: Oh, te drága Clementina… Út a technowesternig. Filmvilág 1996/2. pp. 52–56.

Varga Zoltán: A vadnyugat sikolya. (Western-thriller) Filmvilág 2004/8. pp. 36–39.

 

Ajánlott irodalom:

Blake, Michael F.: Code of honor: the making of three great American westerns: High Noon, Shane, and The Searchers. Lanham, MD; New York; Oxford: Taylor Trade Publishing, 2003.

Buscombe, Edward: Back in the saddle again: new essays on the western. London: British Film Institute, 1998.

Cawelti, John G. The Six-Gun Mystique. Bowling Green OH: Bowling Green State University Press, 1971.

Corkin, Stanley: Cowboys as cold warriors: the western and U.S. history. Philadelphia: Temple University Press, 2004.

Coyne, Michael: The Crowded Prairie: American National Identity in the Hollywood Western. London; New York: I.B. Tauris, 1997.

Davis, Robert Murray: Playing Cowboys: Low Culture and High Art in the Western. Norman: University of Oklahoma Press, 1992.

Everson, William K: A Pictorial History of the Western Film. Secaucus, New Jersey: The Citadel Press, 1969.

Everson, William K: The Hollywood Western: 90 years of cowboys, Indians, train robbers, sheriffs and gunslingers and assorted heroes and desperados. New York: Carol Publishing Group, 1992.

Eyles, Allen: The Western. London, 1975.

Frayling, Christopher: Spaghetti westerns: cowboys and Europeans from Karl May to Sergio Leone. London: Routledge & Kegan Paul, 1981.

French, Philip: Westerns: aspects of a movie genre. London: Secker & Warburg/BFI, 1977.

French, Peter A.: Cowboy metaphysics: ethics and death in westerns. Lanham, MD: Rowman & Littlefield Publishers, 1997.

Hitt, Jim: The American West from fiction (1823-1976) into film (1909-1986). Jefferson, NC; London: McFarland, 1990.

Hughes, Howard: The pocket essential spaghetti westerns. Harpenden, Herts: Pocket Essentials, 2001.

Hyams, Jay: The life and times of the Western movie. Bromley, Kent: Columbus, 1983.

Kiehn, David: Broncho Billy and the Essanay Film Company. New York: Farwell Books, 2003.

Kitses, Jim: Horizons west: Anthony Mann, Budd Boetticher, Sam Peckinpah: studies of authorship within the western. London: Thames & Hudson, 1969.

Kitses, Jim – Rickman, Gregg: The Western Reader. New York: Limelight Editions. 1998.

Kitses, Jim: Horizons west: directing the western from John Ford to Clint Eastwood: New ed. London: British Film Institute, 2004.

Lackman, Ron: Women of the western frontier in fact, fiction and film. Jefferson, NC; London: McFarland. 1997.

Loy, R. Philip: Westerns in a changing America, 1955-2000. Jefferson, NC; London: McFarland. 2004.

Matthews, Leonard: History of western movies. New York: Crescent Books, 1984.

Maynard, Richard A: The American west on film: myth and reality. New Rochelle, NJ: Hayden Book Company, 1974.

Meyer, Wiliam R: The making of great westerns. New Rochelle, NY: Arlington House, 1979.

Mitchell, Lee Clark: Westerns: Making the Man in Fiction and Film. Chicago, University of Chicago Press, 1996.

Nachbar, John G.: Western Films: An Annotated Critical Bibliography. New York: Garland Publishing, 1975.

Nachbar, John G. – Donath, Jackie – Foran, Chris. Western Films II: An Annotated Critical Bibliography. New York: Garland Publishing, 1988.

Newman, Kim: How the West was Found, Won, Lost, Lied About, Filmed and Forgotten. London: Bloomsbury, 1990.

Parks, Rita: The western hero in film and television: mass media mythology. Ann Arbor, MI: UMI Research Press, 1982.

Parish, James Robert – Pitts, Michael R: The great Western pictures. Metuchen, NJ: Scarecrow Press, 1976.

Saunders, John: The western genre: from Lordsburg to Big Whiskey. London; New York: Wallflower, 2001.

Seydor, Paul (ed.): Peckinpah: the Western Films – a Reconsideration. Urbana, University of Illinois Press, 1997.

Simmon, Scott: The Invention of the Western Film: a cultural history of the genre's first half-century. New York: Cambridge University Press, 2003.

Slotkin, Richard: Gunfighter Nation: The Myth of Frontier in Twentieth Century America. New York: Atheneum, 1992.

Smith, Andrew B: Shooting Cowboys and Indians: silent western films, American culture, and the birth of Hollywood. Boulder: University Press of Colorado, 2003.

Stanfield, Peter: Hollywood, westerns and the 1930s: the lost trail. Exeter: University of Exeter Press, 2001.

Stanfield, Peter: Horse Opera: the strange history of the 1930s singing cowboy. Urbana: University of Illinois Press, 2002.

Tompkins, Jane: West of everything: the inner life of westerns. New York: Oxford University Press, 1992.

Turner, Ralph Lamar: The cowboy way: the Western leader in film, 1945-1995. Westport, CT; London: Greenwood Press, 1999.

Tuska, Jon: The filming of the west. Garden City, NY: Doubleday, 1976.

Tuska, Jon: The American West in Film: Critical Approaches to the Western.Westport CT: Greenwood Press, 1985.

Wright, Will: Sixguns and Society: A Structural Study of the Western. Berkeley: University of California Press, 1975.

Yoggy, Gary A.: Back in the saddle: essays on Western film and television actors. Jefferson, NC; London: McFarland, 1998.

Vígjáték

Bibliográfia:

Filmvígáték

 

Alapvetõ irodalom:

Bazin, André: Charlie Chaplin. In: Bazin: Mi a film? Budapest: Osiris, 1999. pp. 155–224.

Bendazzi, Giannalberto: Woody Allen. Pécs: Alexandra, 1997.

Kerr, Walter: The Silent Clowns. New York: Knopf, 1975.

Lahue, Kalton C.: World of Laughter. Norman, Oklahoma: University of Oklahoma Press, 1966.

Montgomery, John: Comedy Films: 1894–1954. London: George Allen and Unwin, 1954.

Paul, William: Laughing, Screaming. Modern Hollywood Horror and Comedy. New York: Columbia University Press, 1994. (FSZEK)

Robinson, David: Buster Keaton. London: Secker and Warburg, 1969.

Robinson, David: The Great Funnies: A History of Film Comedy. London: Studio Vista, 1969.

Robinson, David: Chaplin. His Life and Art. London: Collins, 1985.

Robinson, David: Vígjátékok. In: Nowell-Smith, Geoffrey (ed.): Oxford Filmenciklopédia. Budapest: Glória, 1998. pp. 80–89.

Szalay Károly: A geg nyomában. Budapest: Magvetõ, 1972.

Szalay Károly: Chaplin. Budapest: Gondolat, 1978.

Szalay Károly: Mai magyar filmvígjáték: Beteljesülések és elszalasztott lehetõségek.

Budapest: Magvetõ, 1978.

Szalay Károly: Jacques Tati. Budapest: Magyar Filmtudományi Intézet és Filmarchívum, 1982.

 

 

Ajánlott irodalom magyar nyelven:

Ádám Péter: Tizenegy dollár. (Billy Wilder) Filmvilág 2001/5. pp. 40–41.

Bikácsy Gergely: Idióták a családban. Chaplin, Keaton, Tati. Filmvilág 1990/6. pp. 16–20.

Bikácsy Gergely: Világegyetem, Kaucsuksarok. (Tati: Playtime) Filmvilág 1998/4. pp. 50–52.

Bóna László: Felebohócok. Filmvilág 2000/1. pp. 45–49.

Buglya Zsófia: Komikum a dokumentumfilmben. Pergõ Képek 20-21. pp. 39–54.

Földényi F. László: A gépírólány esete a filmrendezõvel. (Mauritz Stiller modernsége) Filmvilág 1993/8. pp. 30–34.

Karátson Gábor: Buster Keaton még csak száz éves. Filmvilág 1996/4. pp. 36–41.

Kovács Ilona: A gondola alakú hamutartó. Ernst Lubitsch filmvígjátékai. Filmvilág 1984/4. pp. 22–29.

Köves Gábor: A talált zseni (Preston Sturges-portré) Filmvilág 2006/2. pp. 38–39.

Molnár Gál Péter: Buster Keaton, Beckett bohóca. Filmvilág 1980/6. pp. 27–29.

Molnár Gál Péter: Így élni jó! Frank Capráról. Filmvilág 1991/11. 34–35.

Molnár Gál Péter: Fõúr, kérek egy táncost! (Billy Wilder) Filmvilág 2002/6. pp. 42–44.

Molnár Gál Péter: Bolond világ. A Marx-fivérek. Filmvilág 2006/4. pp. 40–41.

Takács Ferenc: Az élet õsze. Monty Python avagy a hülyéskedés diadala. Filmvilág 1990/8. pp. 38–43.

Vaskó Péter: Honderû. Új filmvígjátékok. Filmvilág 2006/4. pp. 9–12.

 

 

 

Ajánlott irodalom:

Babington, Bruce – Evans, Peter William: “Affairs to Remember: The Hollywood Comedy of Sexes.” Manchester England: Manchester University Press, 1989.

Beach, Christopher: Class, Language, and American Film Comedy. Cambridge: Cambridge University Press, 2002. (FSZEK)

Byrge, Duane – Miller, Robert Milton: The Screwball Comedy: A History and Filmography, 1934–1942. Jefferson North Carolina: McFarle Co., 1991.

Capra, Frank: The Name Above the Title. New York: Macmillian Co., 1971.

Cavell, Stanley: Pursuits of Happiness: The Hollywood Comedy of Remarriage. Cambridge, MA: Harvard University Press, 1981.

Fowkes, Katherine A.: Giving Up the Ghost. Spirits, Ghosts and Angels in Mainstream Comedy Films. Detroit, 1998

Gehring, Wes D.: Romantic vs. Screwball Comedy: charting the difference. Lanham MD: Scarecrow Press, 2002.

Harvey, James: Romantic Comedy in Hollywood, from Lubitsch to Sturges. New York: Knopf, 1987.

Heller, Heinz-B.– Steinle, Matthias (Hg.): Filmgenres: Komödie. Stuttgart: Reclam, 2005

Horton, Andrew S. (ed.): Comedy/Cinema/Theory. Berkley and Los Angeles, California: University of California Press, 1991.

Jenkins, Henry – Karnick, Kristine Brunovska (Eds.): Classical Hollywood Comedy. New York: Routledge, 1995.

Jenkins, Henry: What Made Pistachio Nuts? Early Sound Comedy and the Vaudeville Aesthetic. NY: Columbia University Press, 1992.

Krutnik, Frank (Ed.): Hollywood Comedians. The Film Reader. London: Routledge, 2003.

Kendall, Elizabeth: The Runaway Bride: Hollywood Romantic Comedy of the 1930s. New York: Alfred R. Knopf, 1990.

King, Geoff: Film Comedy. London: Wallflower Press, 2002.

Krautz, Alfred (Ed.): Encyclopedia of Film Directors in the United States of America and Europe, Vol.I: Comedy Films to 1991. München: K. G. Saur Verlag, 1994.

Langman, Larry: Encyclopedia of American film comedy. Garland Science,1987.
Mast, Gerald: The Comic Mind: Comedy and the Movies. Chicago: University of Chicago Press, 1979.

Mather, Nigel: Tears of laughter. Comedy-drama in 1990s British cinema. Manchester: UP, 2005.

Miller, Blair. American Silent Film Comedies: an illustrated encyclopedia of persons, studios, and terminology. McFarland and Co,1995.

Nachman, Gerald: Seriously Funny. The Rebel Comedians of the 1950s and 1960s. New York: Pantheon, 2003.

Ott, Frederick: The Films of Carole Lombard. Secaucus, NJ: The Citadel Press, 1973.

Orth, Stefan – Valentin, Joachim– Zwick, Reinhold (Hg.): Göttliche Komödien. Religiöse Dimensionen des Komischen im Kino. Köln, Marburg 2001.

Paul, William: The Impossibility of Romance: Hollywood Comedy, 1978-99. In: Neale, Steve (Ed.): Genre and Contemporary Hollywood. London: British Film Institute, 2002. pp.117-129.

Rickman, Gregg: The Film Comedy Reader. Limelight Editions, 2004.

Siegel, Scott – Siegel, Barbara: American film comedy. Macmillan General Reference,1994.

Sikov, Ed: Laughing Hysterically. American Screen Comedy of the 1950s. New York: Columbia Univeristy Press, 1994.

Vineberg, Steve: High Comedy in American Movies. Class and Humor from the 1920s to the Present. Lanham/MD: Rowman & Littlefield, 2005

Winokur, Mark: American Laughter. Immigrants, Ethnicity, and 1930s Hollywood Film Comedy. Palgrave: London, 1996.

Witte, Karsten: Lachende Erben, Toller Tag. Filmkomödie im Dritten Reich. Berlin, 1995.

 

 

 

Történelmi film

Bibliográfia:

Történelmi film

(háborús film, történelmi eposz)

 

Ajánlott irodalom magyar nyelven:

Schubert Gusztáv: A vad szem (Gladiátor) Filmvilág 2000/7. pp. 19–22.

Vaskó Péter: Szép halál (G. I. Joe moziba megy) Filmvilág 2003/4. pp. 17–23.

 

Ajánlott irodalom:

Aberth, John: A Knight at the Movies. Medieval History on Film. New York: Routledge, 2003.

Aldgate, Anthony: Britain Can Take It: The British Cinema in the Second World War. Edinburgh: Edinburgh University Press, 1994.

Ansen, David: Hollywood goes to war. Newsweek Dec. 3. 2001. pp. 68-71.

Babington, Bruce – Evans, Peter William: Biblical Epics. Sacred Narrative in the Hollywood Cinema. Manchester, 1993.

Baker, M. Joyce: Images of Women in Film: The War Years, 1941-1945. Ann Arbor, Mich.: UMI Research Press, 1980.

Basinger, Jeanine: The World War II Combat Film: Anatomy of a Genre. New York: Columbia University Press, 1986.

Beumers, Birgit: Myth-Making and Myth-Taking: Lost Ideals and the War in Contemporary Russian Cinema. Canadian Slavonic Papers-Revue Canadienne des Slavistes. 2000/1-2. pp. 171-89.

Bohn, Thomas W.: An Historical and Descriptive Analysis of the "Why We Fight" Series. New York: Arno Press,1977.

Britain and the Cinema During the Second World War. Ed.: Taylor, Philip M. Basingstoke: Macmillan, 1988.

Campbell, Craig W.: Reel America and World War I: A Comprehensive Filmography and History of Motion Pictures in the United States, 1914-1920. Campbell.Jefferson, N.C.: McFarland, 1985.

Carnes, Mark C.: World War I: five films. In: (ed.): Ted Mico, John: Past imperfect: history according to the movies. New York: H. Holt, 1995.

Chapman, James: The British at war: cinema, state, and propaganda, 1939-1945London; New York, N.Y.: I.B. Tauris Publishers; New York, N.Y.: Distributed by St. Martin's Press, 1998.

Chapman, James: Cinema, Propaganda and National Identity: British Film and the Second World War. In: Ashby, Justine – Higson, Andrew (eds.): British cinema, past and present. London; New York, NY: Routledge, 2000. pp. 193-206.

Christensen, Terry: The 1940s: Hollywood Goes to War. In: Projecting politics: political messages in American film. Armonk, N.Y.: M.E. Sharpe, 2005.

Chung, Hye Seung: From Saviors to Rapists: G. I.s, Women, and Children in Korean War Films. Asian Cinema.2001/1. pp. 103-16.

Coultass, Clive: Images for Battle: British Film and the Second World War, 1939-1945. Newark: University of Delaware Press; London: Associated University Presses, 1989.

Cullen, Jim: The Civil War in Popular Culture: A Reusable Past.Washington: Smithsonian Institution Press, 1995.

Daniel, Joseph: Guerre et Cinema; Grandes Illusions et Petits Soldats, 1895-1971. Paris: A. Colin, 1972.

Davenport, Robert Ralsey: The Encyclopedia of war movies: the authoritative guide to movies about wars of the twentieth century. New York: Facts On File/Checkmark Books, 2004.

Dick, Bernard F.: The Star-Spangled Screen: the American World War II Film. Lexington, Ky.: University Press of Kentucky, 1985.

Doherty, Thomas Patrick: Projections of War: Hollywood, American Culture, and World War II. New York: Columbia University Press, 1993.

Donald, Ralph: From 'Knockout Punch' to 'Home Run:' Masculinity's 'Dirty Dozen' Sports Metaphors in American Combat Films." Film and History 2005/1. pp. 20-28.

Dolan, Edward F.: Hollywood Goes to War. Twickenham: Hamlyn, 1985.

Donald, Ralph R.: Masculinity and machismo in Hollywood's war films. In: Craig, Steve (ed.): Men, masculinity, and the media. Newbury Park, Calif.: Sage, 1992.

Eberwein, Robert: As a Mother Cuddles a Child': Sexuality and Masculinity in World War II Combat Films. In: Lehman, Peter (ed.): Masculinity: bodies, movies, culture. New York: Routledge, 2001. pp. 149-66.

Elley, Derek: The epic film: myth and history. London; Boston: Routledge & Kegan Paul, 1984.

Film and the First World War. Ed.: Dibbets, Karel – Hogenkamp, Bert. Amsterdam: Amsterdam University Press, 1995.

The First World War and popular cinema: 1914 to the present. Ed.: Paris, Michael. New Brunswick, N.J.: Rutgers University Press, 2000.

Fyne, Robert: The Hollywood Propaganda of World War II. Metuchen, N.J.: Scarecrow Press, 1994.

Gates, Philippa: 'Fighting the Good Fight': The Real and the Moral in the Contemporary Hollywood Combat Film. Quarterly Review of Film and Video, 2005/4. pp. 297-310.

Gheorghiu-Cernat, Manuela: Arms and the Flm: War-and-Peace in European Films. Bucharest: Meridane, 1983.

Hodgkins, John: In The Wake Of Desert Storm: A Consideration Of Modern World War II Films.Journal of Popular Film and Television 2002/2. pp. 74-84.

Hoopes, Roy: When the Stars Went to War: Hollywood and World War II. New York: Random House, 1994.

Isenberg, Michael T.: War on Film: the American Cinema and World War I, 1914-1941. Rutherford: Fairleigh Dickinson University Press, 1981.

Jancovich, Mark: Dwight Macdonald and the Historical Epic. In: Tasker, Y. (ed.): Action and Adventure Cinema. London, 2004. pp. 84–100.

Junkelmann, Marcus: Hollywoods Traum von Rom. Gladiator und die Tradition des Monumentalfilms. Mainz, 2004.

Kane, Kathryn: Visions of War: Hollywood Combat Films of World War II. Ann Arbor, Mich.: UMI Research Press, 1982.

Klossner, Michael: The Europe of 1500-1815 on film and television. A worldwide filmography. Jefferson, 2002.

Koppes, Clayton R.: Hollywood Goes to War: How Politics, Profits, and Propaganda Shaped World War II Movies. New York: Free Press; London: Collier Macmillan, 1987.

Koppes, Clayton R.: Hollywood Goes to War: How Politics, Profits, and Propaganda Shaped World War II Movies. Berkeley: University of California Press, 1990.

Korte, Barbara: The Grandfathers' War: Re-Imagining World War I in British Novels and Films of the 1990s. In: Cartmell, Deborah – Hunter, I.Q. – Whelehan, Imelda (eds.): Retrovisions: reinventing the past in film and fiction. London; Sterling, Va.: Pluto Press, 2001. pp. 120-34

Landon, Philip J.: From cowboy to organization man: the Hollywood war hero, 1940-1955. Studies in Popular Culture 1989/1. pp. 28-41.

Lentz, Robert J.: Korean War filmography: 91 English language features through 2000. Jefferson, N.C.: McFarland, 2003.

Linder, Ann P.: Great War Narratives into Film: Transformation, Reception, and Reaction. International Fiction Review, 2001/1-2. pp. 1-12.

Linville, Susan E.: History Films, Women, and Freud’s Uncanny. Austin Texas, 2004.

Manvell, Roger: Films and the Second World War. South Brunswick, A. S. Barnes [1974].

McAdams, Frank: The American war film: history and Hollywood. Westport, Conn.: Praeger, 2002.

Michel, Sonya: Danger on the home front: motherhood, sexuality, and disabled veterans in American postwar films. In: Cooke, Miriam – Woollacott, Angela (eds): Gendering war talk. Princeton, N.J.: Princeton University Press, 1993.

Montgomery, Garth: "Realistic" war films in Weimar Germany: entertainment as education. Historical Journal of Film, Radio and Television 1989/2. pp. 115-133.

Past Imperfect. History according to the Movies. Ed.: Carnes, Mark C. New York, 1995

Preston, Catherine: 1942: Movies and the March to War. In: American cinema of the 1940s : themes and variations. New Brunswick, N.J. : Rutgers University Press, 2006.

Propaganda, Politics, and Film, 1918-45. Ed.: Pronay, Nicholas – Spring, D.W. London: Macmillan Press, 1982.

Rattigan, Neil: The Last Gasp of the Middle Class: British War Films of the 1950s. In: Dixon, Wheeler Winston (ed.): Re-viewing British cinema, 1900-1992: essays and interviews. Albany: State University of New York Press, 1994. pp. 143-53.

Renov, Michael: Hollywood's Wartime Woman: Representation and Ideology. Ann Arbor, Mich.: UMI Research Press, 1988.

Rollins, Peter C.: America, World War II, and the movies: an annotated booklist. Film & History 1997/1-4. pp. 96-107.

Rubin, Steven Jay: Combat films: American realism, 1945-1970. Jefferson, N.C.: McFarland, 1981.

Sarris, Andrew: The War Film. In: Sarris, Andrew: "You ain't heard nothin' yet": the American talking film, history & memory, 1927-1949. New York: Oxford University Press, 1998.

Shewring, Anne L.: We Didn't Do That Did We? Representation of the Veteran Experience. Journal ofAmerican & Comparative Cultures. 2000/4. pp. 51-66.

Shull, Michael S.: Doing Their Bit: Wartime American Animated Short Films, 1939-1945. Jefferson, N.C.: McFarland, 1987.

Shull, Michael S.: Hollywood war films, 1937-1945: an exhaustive filmography of American feature-length motion pictures relating to relating to World War II. Jefferson, N.C.: McFarland & Co., 1996.

Simone, Sam: Hitchcock As Activist: Politics and the War Films. Ann Arbor, Mich.: UMI Research Press, 1985.

Sklar, Robert: Film and World War II. In: Film: an international history of the medium. New York: H.N. Abrams, 1993.

Smith, Gary Allen: Epic Films. Casts, Credits and Commentary on Over 350 Historical Spectacle Movies. Jefferson NC, 2004.

Suid, Lawrence H.: Guts & glory: the making of the American military image in film. Lexington: University Press of Kentucky, 2002.

Suid, Lawrence H.: Stars and stripes on screen : a comprehensive guide to portrayals of American military on film. Lanham, Md.: Scarecrow Press, 2005.

Virilio, Paul: Guerre et cinema. Paris: Editions de l'Etoile: Diffusion, Seuil, 1984.

Virilio, Paul: War and cinema: the logistics of perception.London; New York: Verso, 1989.

War and film in America: historical and critical essays. Ed.: Matelski Marilyn J. – Street Lynch, Nancy. Jefferson, N.C.: McFarland, 2003.

The War Film. New Brunswick, N.J.: Rutgers University Press, 2005.

Wyke, Maria: Projecting the Past. Ancient Rome, Cinema and History. London & New York: Routledge, 1997.

 

Science fiction

Bibliográfia:

Science fiction

 

Alapvetõ irodalom:

Beregi Tamás: A sci-fi, mint modern mítosz. Filmkultúra 1995/8. pp. 21–16.

Beregi Tamás: Testgubó és szuperegó. Filmvilág 2000/5. pp. 20–23.

Beregi Tamás: Homo Chimpansiensis. Filmvilág 2001/11. pp. 36–39.

Beregi Tamás: Álommátrix – ébrenlétnarkózis. Filmvilág 2003/6. pp. 18–20.

British Science Fiction Cinema. Ed.: Hunter, I. Q. London; New York: Routledge and Kegan Paul, 1999. (FSZEK)

Bukatman, Scott: A mesterséges végtelen. A trükkfelvételekrõl és a fenségesrõl. Metropolis 2003/2. pp. 10–26.

Glass, Fred: Az emlékmás és az Új Rossz Jövõ filmjei. In: Nagy Zsolt (ed.): Tarantino elõtt. Tömegfilm a nyolcvanas években. Budapest: Új Mandátum, 2000. pp. 121–137.

Kiss Gábor Zoltán: Ideologikus és mûfaji mutációk. Az Alien-sorozat. Metropolis 2003/2. pp. 58–65.

Kiss Miklós: “Mintha beakadna Isten bakelitlemeze”. Idõutazásos filmek narratív vizsgálata. Metropolis 2003/2. pp. 28–38.

Király Jenõ: A fantasztikum poétikája. In: Király: Frivol múzsa II. Budapest: Nemzeti Tankönyvkiadó, 1993. pp. 515–610.

Király Jenõ: A film második gyermekkora. Filmvilág 1992/3. pp. 4–9.

Király Jenõ: Rovareposzok. Filmvilág 2000/4. pp. 25–29.

Neale, Steve: “Ez csak egy kibaszott vicc lehet!” Tudás, hit és ítélet a tudományos-fantasztikus mûfajban. Metropolis 2003/2. pp. 48–56.

Schubert Gusztáv: A selejt bosszúja. Filmvilág 2001/8. pp. 4–10.

Science-fiction. Metropolis 2003/2.

Sobchack, Vivien: A fantasztikus film. In: Nowell-Smith, Geoffrey (ed.): Oxford Filmenciklopédia. Budapest: Glória Kiadó, 1998. pp. 323–331.

Sontag, Susan: A pusztulás képei. In: Sontag: A pusztulás képei. Budapest: Európa, 1972. pp. 238–261.

Suvin, Darko: A science fiction poétikája. Helikon 1972/1. pp. 43–54.

Szilágyi Ákos: Énhúzás a fejorvosnál. (Paul Verhoeven: Az emlékmás) Filmvilág 1991/8. pp. 28–32.

Szilágyi Ákos: Happykalipszis. Filmvilág 2001/2. pp. 32–35.

Telotte, J. P.: A fantázia megkettõzései és a vágy tere. Metropolis 2003/2. pp. 40–47.

Varga Zoltán: Robottest és emberlélek. A populáris film variációi az ember/gép problematikára. Pannonhalmi Szemle 2006/2. pp. 115–125.

Varró Attila: Sifré-kódexek. Filmvilág 1999/11. pp. 26–30.

Varró Attila: Mûfajtörténet: A science fiction. Filmtett 2001/9–12. no. 9. pp. 28–31.; no. 10. pp. 27–32.; no. 11. pp. 27–31.; no.12. pp. 28–31.

Varró Attila: Sci-fi történet évszámokban. Metropolis 2003/2. pp. 66–87.

Varró Attila: A harmadik törvény. Filmvilág 2004/10. pp. 4–9.

 

 

Ajánlott mûfajtörténeti mûvek:

Allan, Vicky – Bachley, Ben – Felperin, Leslie – James, Nick: Cloning the Future. Science Fiction Films 1895–1996. London: British Film Institute, 1996.

Ash, Brian (ed.): The Visual Encyclopedia of Science Fiction. London: Pan, 1977.

Atkins, Thomas R.: Science Fiction Films. New York: Monarch Press, 1976.

Baxter, John: Science Fiction in the Cinema. London: The Tantivy Press, 1970.

Bouyxou, Jeanne-Pierre: La science fiction au cinema. Paris: Union Generale d’Editions, 1971.

Brosnan, John: The Primal Screen. A History of Science Fiction Film. New York: Orbit, 1991.

Edelson, Edward: Visions of Tomorrow. New York: Doubleyday, 1975.

Frank, Allan: Sci-Fi Now. London: Octopus, 1978.

Gasca, Luis: Cine y ciencia-ficción. Barcelona: Libres de Sinera, 1969.

Gifford, Dennis: Science Fiction Film. London: Studio Vista/Dutton Pictureback, 1971.

Gunn, James (ed.): The New Encyclopedia of Science Fiction. London, 1988.

Hahn, Ronald – Jansen, Volker: Lexikon der Science Fiction Film. München, 1983.

Hardy, Phil: Science Fiction – The Aurum Film Encyclopedia. London: Aurum Press, 1995.

Harry, Bill: Heroes of the Spaceways. London, Omnibus Press, 1981.

Hutchinson, Tom: Horror and Fantasy in the Movies. New York: Studio Vista, 1974.

Lundwall, Sam: A jövõ emlékei. Metagalaktika 7. Budapest: Kozmosz Könyvkiadó, 1987.

Manchel, Frank: Great Science Fiction Films. New York/London: Franklin Watts, 1976.

Menningen, Jürgen: Filmbuch Science Fiction. Schauberg: Verlag M. DuMont, 1975.

Menville, Douglas: A Historical and Critical Survey of the Science Fiction Film. New York: Arno Press, 1975.

Menville, Douglas: Things to Come. An Illustrated History of the Science Fiction Film. New York: Times Books, 1977.

Nicholls, Peter (ed): The Encyclopedia of Science Fiction. London: Granada, 1979.

Nicholls, Peter: Fantastic Cinema. London: Ebury Press, 1984.

Parish, James Robert – Pitts, Michael: The Great Science Fiction Pictures. New Jersey: Scarecrow Press, 1977.

Pickard, Roy: Science Fiction in the Movies. London: Frederick Muller, 1978.

Rottensteiner, Franz: The Science Fiction Book. An Illustrated History. London: Thames and Hudson, 1975.

Rovin, Jeff: A Pictorial History of Science Fiction Films. New York: Citadel Press, 1975.

Sobchack, Vivien: The Limits of Infinity. The American Science Fiction Film. New York: A. S. Barnes & Co., 1980.

Sternberg, Jacques: Une succursale du fantastique nommée science fiction. Paris: Le Terrain Vague, 1978.

Strick Philip: Science Fiction Movies. London: Octopus, 1976.

Tuck, Donald H.: The Encyclopedia of Science Fiction and Fantasy. Chicago: Advent Publishers, Inc., 1974.

Von Gunden, Kenneth – Stock, Stuart H: Twenty All-Time Great Science Fiction Films. New York: Arlington House, 1982.

 

Ajánlott tanulmánykötetek:

Allen, David: Science Fiction Reader’s Guide. New York: Centennial Press, 1974.

Baxter, John: Science Fiction in the Cinema. London: Zwemmer, 1970.

Brosnan, John: Future Tense. The Cinema of Science Fiction. New York: St. Martin Press, 1979.

Coyle, William: Aspects of Fantasy. Greenwood Press, 1981.

Edelson, Edward: Visions of Tomorrow. Great Science Fiction from the Movies. Garden City, New York: Doubleday & Company, 1975.

Hellman, Christian: Der Science Fiction Film. München, 1983.

Johnson, William (ed.): Focus on the Science Fiction Film. New York: Prentice Hall, 1972.

Kuhn, Annette (ed.): Alien Zone. Cultural Theory and Contemporary Science Fiction Cinema. London: Verso, 1990.

Kuhn, Annette (ed.): Alien Zone II. The Spaces of Science-Fiction Cinema. London: Verso, 1999.

Landon, Brooks: The Aesthetics of Ambivalence. Rethinking Science Fiction Film in the Age of Electronic (Re)Production. Westport, Connecticut: Greenwood Press, 1992.

Lenne, Gérard: Le cinéma fantastique et ses mythologies. Paris, 1970.

Parish, James Robert: The Great Science Fiction Pictures. New York: Scarecrow, 1977.

Pickard, Roy: Science Fiction in the Movies. An A–Z. New York, 1978.

Pohl, Frederik: Science Fiction Studies in Film. New York: Ace, 1981.

Seesslen, Georg: Kino des Utopischen. Hamburg: Reinbek, 1983.

Seymour, Simon: Mad Scientists, Weird Doctors and Time Travellers in Movies, TV and Books. New York: Lippincott, 1981.

Siegel, Richard – Saures J. C: Alien Creatures. Los Angeles: Reed Books, 1978.

Slusser, George – Rabkin, Eric (ed.): Shadows of the Magic Lamp. Fantasy and Science Fiction in Film. Southern Illinois University Press, 1985.

Sobchack, Vivien: Screening Space. The American Science Fiction Film. Rutgers University Press, 1987.

Suvin, Darko – Mullen, R. D. (ed.): Science Fiction Studies. Selected Articles on Science Fiction. New York: Greg Press, 1973–1975.

Telotte, J. P.: A Distant Technology. Science Fiction Film and the Machine Age. London: Wesleyan, 1999.

Telotte, J. P.: Science Fiction Film. Cambridge: Cambridge University Press, 2001.

Weil, Claudius – Seesslen, Georg: Kino des Phantastischen. München, 1976.

Wright, Gene: The Science Fiction Image. New York: Colombus Books, 1983.

 

Ajánlott mûfaj guide-ok

Barron, Neil: Anatomy of Wonder. A Critical Guide to Science Fiction. Third Edition. New York: R. R. Bowker Company, 1987.

Benson, Michael: Vintage Science Fiction Films 1896–1949. Jefferson, North Carolina: McFarland & Company, Inc., Publishers, 1985.

Burgess, Michael: Reference Guide to Science Fiction, Fantasy, and Horror. Englewood, Colorado: Libraries Unlimited, Inc., 1992.

Gerani, Gary – Schulman, Paul H.: Fantastic Television. New York: Harmony Books, 1977.

Lee, Walt: Reference Guide to Fantastic Films. Science Fiction, Fantasy and Horror 1–3. London: Chelsea-Lee Books, 1972–1974.

Manchel, Frank: An Album of Great Science Fiction Films. New York – London: Franklin Watts, 1976.

O’Neill, James: Sci-Fi on Tape. A Complete Guide to Science Fiction and Fantasy on Video. London, 1995.

Pringle, David: The Ultimate Guide to Science Fiction. An A-Z of Science-Fiction Books by Title. Scolar Press, 1995.

Senn, Bryan – Johnson, John: Fantastic Cinema Subject Guide. A Topical Index to 2,500 Horror, Science Fiction, and Fantasy Films. Jefferson, North Carolina: McFarland & Company, Inc., Publishers, 1992.

Stanley, John: Creature Feature. New York: Boulvard Books, 1997.

Strickland A. W.: A Reference Guide to American Science Fiction Films. T. I. S. Publications Division, 1981.

Willis, Donald: Horror and Science Fiction Films: A Checklist. New York: Scarecrow Press, 1972.

Willis, Donald (ed.): Variety’s Complete Science Fiction Review. New York: Garland Publishing, Inc., 1985.

 

Ajánlott cikkek, tanulmányok magyar nyelven:

Balogh Tibor: A földöntúli disszonanciája. Világosság 1975/3. pp. 168–170.

Barotányi Zoltán: Ûristenek alkonya. Filmvilág 1998/5. pp. 26–30.

Francis, Arnold: Ezen a világon kívül. Filmkultúra 1963/ 7–8. pp. 127–136.

Gera György: Mire alkalmas a sci-fi? Filmkultúra 1969/4. pp. 46–50.

Gyõri Zsolt: Virtualitás 2001 (Filmes virtuális valóságok). Filmtett 12 (2001) pp. 15–19.

Havas Fanny: Sci-fi mesék á la americain. Filmkultúra 1985/12. pp. 18–20.

Hirsch Tibor: A nagy zárójel. Filmkultúra 1991/3. pp. 12–18.

Hodgens, Richard: A sci-fi film tragikus és rövid története. In: Kuczka Péter (ed.): A holnap meséi. Budapest: Kossuth, 1973. pp. 141–157.

Kuczka Péter: A science fiction változása. Filmkultúra 1976/2. pp. 73–82.

Kagarlickij, Jurij: Fantasztikus irodalom, színpad, film. Galaktika 18. pp. 83–93.

Kóczián János: Sci-fi és video. Galaktika 71. pp. 56–60.

Kóczián János: A fantasztikus film három arca. Galaktika 62. pp. 76–80.

Kömlõdi Ferenc: Káoszlakó. Filmvilág 1995/11. pp. 6–9.

Kömlõdi Ferenc: Új-Tokió 2019. Filmvilág 1997/4. pp. 37–38.

Kuczka Péter: Film és fantázia. Filmvilág 1967/16. pp. 22–25.

Kuczka Péter: A science fiction film változásai. Filmkultúra 1976/2. pp. 73–82.

Kuczka Péter: Sci-fi vagy mûvészet? Filmvilág 1972/13. pp. 21–23.

Levy, Donnis: A fantasztikum: a krízis mûfaja. Filmkultúra 1974/5. pp. 91–92.

Magyar Bálint: Science fiction és az emberiség jövõje. In: Magyar: Az amerikai film. Budapest: Gondolat, 1974. pp. 322–324.

Mamber, Stephen: Mechanikus narancs. Metropolis 2002/2. pp. 70–82.

Matos Lajos: A valószínûtlen lehetséges. Filmvilág 1984/1. pp. 13–21.

Mersich Gábor: Üzenetek az abszolút szellem korából. Filmvilág 2002/1. pp. 26–29.

Rajnai András: Az elektronikus mûvészet és a sci-fi. Galaktika 7. pp. 59–64.

Schubert Gusztáv: Virtuálfrász. Filmvilág 2003/7. pp. 4–7.

Szántó Erika: Mi a fantasztikus? Filmvilág 1969/16. pp. 9–11.

Szentmihályi Szabó Péter: Science-fiction a moziban. Galaktika 1. pp. 51–57.

Szentmihályi Szabó Péter: Újabb sci-fi filmek. Galaktika 16. pp. 120–124.

Tillman J. A.: Látszatra élet, valójában halál. Filmkultúra 1991/3. pp. 10–12.

Urbán Mária: A nõ a fantasztikus filmben. Filmkultúra 1985/8. pp. 77–80.

Zsugán István: Jövõbeli históriák. Filmvilág 1972/2. p. 30.

 

Weboldalak

Sci-fi.hu – http://www.sf.hu/

SciFlicks.com – http://www.sciflicks.com/

Scifispace – http://www.scifispace.com/

Temporal Anomalies in Popular Time Travel Movies – http://www.mjyoung.net/time/

Scifi-movies.com – http://www.scifi-movies.com

The Sci-Fi Movie Page – http://members.tripod.com/ scifimoviepage/index.html

Scifimovies – http://www.scifimovies.com/

Science Fiction Films – http://www.filmsite.org/sci-fifilms.html

Scifilm – http://www.scifilm.org/

Science Fiction World – http://www.sfworld. onlinehome.de

Science Fiction in Movies and TV – http: //www.geocities.com/Hollywood/Lot/2976/SF2-intro.html

About Sci-Fi Movies – http://scifimovies.about. com/mbody.htm

SF Cinema on the Web – http://www.geocities.com/ Hollywood/Lot/2976/SF_FilmResources.HTML

ClassicSciFi.Com – http://Classicscifi.com

Top 50 Sci-Fi Films – http://www.imdb.com/Charts/ Votes/sci-fi/

Universe Guide – http://www.universeguide.com/

Absolute Sci-Fi – http://www.geocities.com/ absolutescifi

Sci-Fi Movies – http://www.geocities.com/giorgos333

Műfajelmélet

Bibliográfia:

Mûfajelmélet

 

Magyarul hozzáférhetõ alapvetõ mûvek:

Altman, Rick: A film és a mûfajok. In: Nowell-Smith, Geoffrey (ed.): Oxford Filmenciklopédia. Budapest: Glória, 1998. pp. 284–286.

Altman, Rick: Újrafelhasználható csomagolás. Mûfaji termékek és az újrafeldolgozási folyamat. In: Metropolis 1999/3. pp. 12–33.

Casetti, Francesco: A film és a kultúra: a mûfaj az archetípusok és a rituálék között. In: Casetti: Filmelméletek 1945–1990. Budapest: Osiris, 1998. pp. 251–255.

Grodal, Torben: A fikció mûfajtipológiája. In: Kovács András Bálint – Vajdovich Györgyi (eds.): A kortárs filmelmélet útjai. Budapest: Palatinus, 2004. pp. 320–355.

Gunning, Tom: “Nagyon finom teveszõr ecsettel rajzolták”: a filmes mûfajok eredetei. In: Kovács András Bálint – Vajdovich Györgyi (eds.): A kortárs filmelmélet útjai. Budapest: Palatinus, 2004. pp. 273–291.

Király Jenõ: Mágikus mozi. Mûfajok, mítoszok, archetípusok a filmkultúrában. Budapest: Korona, 1998.

Neale, Steve: Mûfajkérdések. In: Nagy Zsolt (ed.): Tarantino elõtt 1. Tömegfilm a nyolcvanas években. Budapest: Új Mandátum, 2000. pp. 12–44.

 

További ajánlott olvasmányok:

Andrew, Dudley J.: Mûfajok és szerzõk értékelése. In: Metropolis 1999/3. pp. 34–50.

Brown, Nick (ed.): Refiguring American Film Genres. History and Theory. Berkley–Los Angeles–London: Univeristy of California Press, 1998.

Cawelti, John G.: A népszerû mûfajok problémája. In: Nagy Zsolt (ed.): Tarantino elõtt 1. Tömegfilm a nyolcvanas években. Budapest: Új Mandátum, 2000. pp. 57–73.

Easthope, Antony: Gondolatok a mûfajról. In: Nagy Zsolt (ed.): Tarantino elõtt 1. Tömegfilm a nyolcvanas években. Budapest: Új Mandátum, 2000. pp. 45–56.

Grant, Barry Keith (ed.): The Film Genre Reader. Austin: University of Texas Press, 1986.

Gunning, Tom: Nonkontinuitás, kontinuitás, diszkontinuitás: a korai filmek mûfajainak elmélete. In: Kovács András Bálint – Vajdovich Györgyi (eds.): A kortárs filmelmélet útjai. Budapest: Palatinus, 2004. pp. 304–319.

Király Jenõ: Bevezetés a népszerû filmkultúra vizsgálatába. In: Király Jenõ (ed.): Film és szórakozás. Budapest: MOKÉP–Magyar Filmintézet és Filmarchívum, 1981. pp. 3–50.

Király Jenõ: Frivol múzsa I-II. Budapest: Nemzeti Tankönyvkiadó, 1993.

Neale, Steve: Genre. London: BFI, 1980.

Piotrovszkij, A.: A filmmûfajok elméletéhez. In: A film poétikája. Filmmûvészeti Könyvtár 58. Budapest: Magyar Filmtudományi Intézet és Filmarchívum, 1978. pp. 175–209.

Réz András: A beépülés modelljei: Adalékok a mûfaji film elméletéhez. In: Király Jenõ (ed.): Film és szórakozás. Budapest: MOKÉP–Magyar Filmintézet és Filmarchívum, 1981. pp. 111–145.

Wright, Judith Hess: A zsánerfilmek és a status quo. In: Nagy Zsolt (ed.): Tarantino elõtt 1. Tömegfilm a nyolcvanas években. Budapest: Új Mandátum, 2000. pp. 76–88.

 

Folyóirat különszámok

Iris no. 20.

CinémAction 1993/68.

Persistence of Vision 1986/3–4.

Journal of Popular Film & Television 1985/2.

Journal of Popular Film & Television 1985/3.

Journal of Popular Film & Television 1985/4.

Film Comment 1982/2. pp. 33–47.

Literature/Film Quarterly 1982/3.

 

 

Könyvek, tanulmányok

Alloway, Lawrence: The Iconography of the Movies. Movie 1963/7. pp. 4–6.

Altman, Charles F.: Towards a Theory of Genre Film. In: Lawton, Ben–Staiger, Janet (eds.): Film: Historical-Theoretical Speculations. II. Pleasantville, NY.: Redgrave, 1977. pp. 31–43.

Altman, Rick: A Semantic/Syntactic Approach to Film Genre. Cinema Journal 1984/3. pp. 6–18.

Beauchamp, M.: T’as d’beaux genres, tu sais... 24 images 1990/47. pp. 27–28.

Bennett, Tony–Boyd-Bowman, Susan–Mercer, Colin–Woolacot, Janet (eds.): Popular Television and Film: A Reader. London: BFI, 1981.

Berry, Chris–Spigel, Lynn: The SCS in Pittsburgh. On Film 1984/12. pp. 42–44.

Bourget, Jean-Loup: Social Implications in the Hollywood Genres. Journal of Modern Literature 1973/2. pp. 191–200.

Braudy, Leo: Film Genre: A dialogue – The thirties, the forties. Post Script 1982/3. pp. 27–29.

Brophy, Philip (ed.): Stuffing, Film: Genre. Northcote: Stuff Publication, 1987.

Buscombe, Edward: The Idea of Genre in the American Cinema. Screen 1970/2. pp. 33–45.

Carroll, Noël: The Paradox of Junk Fiction. Philosophy and Literature 1994/2. pp. 225–241.

Casetti, Francesco: Les genres cinématographiques: quelques problemes de méthode. Ça cinéma 1979/18.

Cawelti, John G.: The Question of Popular Genres. Journal of Popular Film & Television 1985/2. pp. 55–61.

Cawelti, John G.: The Concept of Formula in the Study of Popular Culture. Journal of Popular Culture 1969/3. pp. 381–390.

Cohen, Ralph: Do Postmodern Genres Exist? Genre 1987/3–4. pp. 241–257.

Collins, Jim: Genericity in the Nineties: Eclectic Irony and the New Sincerity. In: Collins, Jim–Radner, Hilary–Preacher Collins, Ava: Film Theory Goes to the Movies. New York – London: Routledge, 1993. pp. 242–263.

Collins, Jim: When the Legend Becomes Hyperconscious, Print the… In: Collins, Jim: Architectures of Excess. New York–London: Routledge, 1995. pp. 125–156.

Collins, Richard: Genre: A Reply to Ed Buscombe. Screen 1970/4–5. pp. 66–75.

Corner, John: Meaning, Genre, and Context: The Problematics of “Public Knowledge” in the New Audience Studies. In: Curran, James–Gurewitch, Michael (eds.): Mass Media and Society. London: Edward Arnold, 1995.

Cunningham, Stuart: Hollywood Genres, Australian Movies. In: Moran, Albert–O’Regan, Tom (eds.): An Australian Film Reader. Sydney: Curreny Press, 1985. pp. 235–241.

De Cordova, Richard: Genre and Performance: An overview. In: Grant, Barry Keith (ed.): Film Genre Reader. Austin: University of Texas Press, 1986. pp. 129–139.

Deinstfrey, Harris: Hitch Your Genre to a Star. Film Culture 1964/34. pp. 35–37.

Dolmark, J.: Belezke k zsanru. Ekran 18 1981/4–5. pp. 23–26.

Durgnat, Raymond: Up Jumped the Devil, or, The Jack-in-Pandora’s Box: Can The Witches of Eastwick De-spook Genre Theory? Monthly Film Bulletin 1987/644. pp. 265–268.

Durgnat, Raymond: Genre: Populism and Social Realism. Film Comment 1975/4. pp. 20–29.

Dvorák, J.: Filmy v radach. Film a Doba 1983/1. pp. 31–34.

Eberwein, Robert T.: Genre and the Writerly Text. Journal of Popular Film and Television 1985/2. pp. 62–68.

Feuer, Jane: Genre Study and Television. In: Allen, Robert C. (ed.): Channels of Discourse, Reassembled: Television and Contemporary Criticism. London: Routledge, 1992. pp. 138–159.

Gledhill, Christine: Genre. In: Cook, Pam (ed.): The Cinema Book. London: BFI, 1985. pp. 58–64.

Grant, Barry K. (ed.): Film Genre: Theory and Criticism. Metuchen: Scarecrow Press, 1977.

Grant, Barry K.: Impressionism and Ideology: The State of Recent Film Genre Criticism. Canadian Review of American Studies 1983/1. pp. 107–118.

Grant, Barry K.: Film Genre: An Updated Bibliography. Literature/Film Quarterly 1982/3. pp. 188–199.

Grant, Barry K.: Tradition and the Individual Talent: Poetry in the Genre Film. In: Conger, Syndy M.– Welsch, Janice R.: Narrative Strategies: Original Essays in Film and Prose Fiction. Macomb IL.: Western Illinois University Press, 1981. pp. 93–103.

Grant, Barry Keith: Experience and Meaning in Genre Films. In: Grant, Barry Keith (ed.): Film Genre Reader. Austin: Texas University Press, 1986. pp. 114–128.

Grodal, Torben: Moving Pictures. A New Theory of Film Genres, Feelings and Cognition. Oxford: Oxford University Press, 1997.

Harris, K. M.: American Film Genres and Non-American Films: A Case Study of Utu. Cinema Journal 1990/2. pp. 36–59.

Hess, John: History, Politics, Style, and Genre. Jump Cut 1988/33. pp. 30–37.

Hietala, Veijo: Mahdoton avioliitto? Genreteorija ja snomalaien elokuves. Filmihullu 1989/3. pp. 4–9.

Hodsdon, Barrett: Genre: A Review. Cinema Papers 1974. Dec. pp. 338–341.

Hutchings, Peter: Genre Theory and Criticism. In: Hollows, Joanne–Jancovich, Mark (eds.): Approaches to Popular Film. Manchester: Manchester University Press, 1995.

Jenkins, H.: The Amazing Push-Me/Pull-You… Wide Angle 8 1986/3–4. pp. 35–44.

Joskevics, J.: Za szociologijata na zsanrovete. Kinoizkusztvo 1973/12. pp. 49–57.

Kaminsky, Stuart M.–Mahan, J. H.: American Television Genres. Chicago: Nelson-Hall, 1985.

Kaminsky, Stuart: American Film Genres: Approaches to a Critical Theory of Popular Film. Dayton OH.: Pflaum–Standard, 1974.

Klinger, Barbara: ‘Cinema/Ideology/Criticism’ – The Progressive Text. Screen 1984/1. pp. 30–44.

Klinger, Barbara: ‘Cinema/Ideology/Criticism’ Revisited: The progressive genre. In: Grant, Barry Keith (ed.): Film Genre Reader. Austin: Texas University Press, 1986. pp. 74–90.

Knee, A.: Liquid Sky, Repo Man and Genre. Wide Angle 8 1986/3–4. pp. 101–113.

Kolbenschlag, M. C.: Resources: Film And the American Experience. Jump Cut 1975/6. pp. 16–21.

Kolker, Robert P.: Film Genre: A dialogue – the eighties. Post Script 1982/3. pp. 30–32.

Kozlov, Leonyid: O zsanrovüh obscsnosztjah i oszobennosztyah. Iszkussztvo kino 1978/11. pp. 120–135.

Landrum, Larry N.: Recent Work in Genre. Journal of Popular Film and Television 1985/3. pp. 151–158.

Lavoie, André: En genre et un nombre. Ciné-Bullets 1994/1. pp. 57–58.

Lehmann, P.–Mitchell, E.–Hoekzema, L.: American Film Genre: An Interview with John Cawelti. Wide Angle 1978/2. pp. 50–57.

Lohmann, H.: Die Erschliessung der Filmspezifik durch filmisches Erzählen und durch Genrewertung. Filmwissenschaftliche Beiträge 1972/2. pp. 112–135.

Longhurst, Derek (ed.): Gender, Genre, and Narrative Pleasure. London: Unwin Hyman, 1989.

Lukow, Gregory–Ricci, Steven: The ‘Audience’ Goes ‘Public’: Intertextuality, Genre, and the Responsibilities of Film Literacy. On Film 1984/12. pp. 28–36.

Marabello, C.: Le lecrine e la forme. Segnocinema 1987/30. pp. 38–42.

Mayer, Geoff: Formula and Genre, Myths and Patterns. Australian Journal of Screen Theory 1978/4. pp. 59–65.

Michalek, Boleslaw: O pewnym porozumieniu. Kino 1978/7. pp. 58–59.

Pavlovský, Petr: Zanr v umeni z hlediska taxonomie. Film a Doba 1987/11. pp. 639–641.

Petlewski, Paul: Coplication of Narrative in the Genre Film. Film Criticism 4 (1979) no. 1. pp. 18–24.

Pjotorovszkij, A.: K teoriji filmszkih zvrszti. Ekran 1979/9–10. pp. 41–47.

Plazewsky, Jerzy: Czy “Nowa Przygoda” zdobedzie monopol na kino swiatowe? Kino 1990/1. pp. 1–8., 21–32.

Poague, Leland A.: The Problem of Film Genre: A Mentalistic Approach. Literature/Film Quarterly 1978/2. pp. 152–161.

Pye, Douglas: Genre and Movies. Movie 1975/20. pp. 29–43.

Ryall, Tom: The Notion of Genre. Screen 1970/2. pp. 22–32.

Ryall, Tom: Genre and Hollywood. In: Hill, John–Church Gibson, Pamela (eds.): The Oxford Guide to Film Studies. Oxford: Oxford University Press, 1998. pp. 327–338.

Schatz, Thomas: The Structural Influence: New directions in film genre study. Quarterly Review of Film Studies 1977/3. pp. 302–312.

Schatz, Thomas: New Directions in Film Genre Study: A reply to Charles F. Altman. In: Lawton, Ben–Staiger, Janet (eds.): Film: Historical-Theoretical Speculations. II. Pleasantville, NY.: Redgrave, 1977. pp. 44–52.

Schatz, Thomas: Hollywood Genres: Formulas, Filmmaking, and the Studio System. New York: Random House, 1981.

Schiff, S.: The Repeatable Experience. Film Comment 1982/2. pp. 34–36.

Schlepern, Peter: Om genrebegrebet. Kosmorama 1976/131. pp. 301–305.

Schmidt, Kaare: Mere om genrebegrebet. Kosmorama 1978/138. pp. 135–138.

Small, E. S.: Literary and Film Genres: Toward a Taxonomy of Film. Literature/Film Quarterly 1979/4. pp. 290–299.

Sobchack, Thomas: Genre Film: A Classical Experience. Literature/Film Quarterly 1975/3. pp. 196–204.

Sobchack, Vivian: Genre Film: Myth, Ritual, and Sociodrama. In: Thomas, Sari (ed.): Film/Culture: Explorations od Cinema in Its Social Context. Metuchen NJ.: Scarecrow Press, 1982. pp. 147–165.

Solomon, Stanley J.: Film Study and Genre Courses. College Composition and Communication 1974. Oct. pp. 277–283.

Solomon, Stanley J.: Beyond Formula: American Film Genres. New York: Harcourt Brace Jovanovich, 1976.

Thrum, B.: Der Mensch und sein weites Feld. Film und Fernsehen 9 (1981) no. 6. pp. 6–7.

Tudor, Andrew: Genre: Theory and Malpractice in Film Criticism. Screen 1970/6. pp. 33–43.

Vernet, Marc: Genre. Film Reader 1978/3. pp. 13–17.

Williams, Alan: Is a Radical Genre Criticism Possible? Quarterly Review of Film Studies 1984/2. pp. 121–125.

Williams, Linda: Film Bodies: Gender, Genre and Excess. Film Quarterly 1991/4. pp. 2–13.

Wood, Robin: Ideology, Genre, Auteur. Film Comment 1977/1. pp. 46–51.

Yacowar, Maurice: Recent Popular Genre Movies: Awash and Aware. Journal of Popular Film 1975/4. pp. 297–305.

Zaoral, Zdenek: Filmové zanry – pokno o klasszifikaci. Film a Doba 1979/1. pp. 41–47.

Zaoral, Zdenek: Filmové zanry –Metodologije rozboru. Film a Doba 1979/2. pp. 102–109.

Musical

Bibliográfia:

Musical

 

 

Alapvetõ irodalom:

Altman, Rick: The American Film Musical. Bloomington; Indianapolis: Indiana University Press, 1987.

Altman, Rick: A musical. In: Nowell-Smith, Geoffrey (ed.): Oxford Filmenciklopédia. Budapest: Glória Kiadó, 1998. pp. 303-314.

Feuer, Jane: The Hollywood Musical. Bloomington, IN: Indiana University Press, 1993.

Kömlõdi Ferenc: Táncolj, Hollywood! A musical aranykora. Filmvilág 1993/7. pp. 48-51.

Miklós Tibor: Musical! Budapest: Novella Kiadó, 2002.

 

 

Ajánlott irodalom:

Allen, Richard – Hershenson, Bruce: Musical movie posters. West Plains, MO: Bruce Hershenson, [1999].

Altman, Rick: Genre: the musical; a reader. Routledge & Kegan Paul; British Film Institute, 1981.

Aylesworth, Thomas G.: Broadway to Hollywood: musicals from stage to screen. Hamlyn, 1985.

Babington, Bruce – Evans, Peter William: Blue skies and silver linings: aspects of the Hollywood musical. Manchester: Manchester University Press, 1985.

Barrios, Richard: A song in the dark: the birth of the musical film. New York; Oxford: Oxford University Press, 1995.

Bergan, Ronald: Glamorous musicals: fifty years of Hollywood's ultimate fantasy. Octopus Books, 1984.

Bradley, Edwin M.: The first Hollywood musicals: a critical filmography of 171 films, 1927 through 1932. Jefferson, NC: McFarland, 1996.

Cohan, Steven: Hollywood musicals: the film reader. London: Routledge, 2002.

Cohan, Steven: Incongruous entertainment: camp, cultural value, and the MGM musical. Durham, NC; London: Duke University Press, 2005.

Delamater, James: Dance in the Hollywood musical. Ann Arbor, MI: UMI Research Press, 1981.

Dyer, Richard: The musical. London: BFI Educational Advisory Service, 1975.

Fehr, Richard – Vogel, Frederick: Lullabies of Hollywood: movie music and the movie musical, 1915-1922. Jefferson, NC; London: McFarland, 1993.

Green, Stanley: Encyclopedia of the musical film. Oxford University Press, 1981.

Green, Stanley: Hollywood musicals year by year. Milwaukee, WI: Hal Leonard, 1990.

Grubb, Kevin Boyd: Razzle dazzle: the life and work of Bob Fosse. New York: St. Martin's Press, 1989.

Hemming, Roy: The melody lingers on: the great songwriters and their movie musicals. New York: Newmarket Press, 1986.

Henderson, Amy – Bowers, Dwight Blocker: Red hot & blue: a Smithsonian tribute to the American musical. Washington, D.C.; London: Smithsonian Institution Press, 1996.

Hischak, Thomas: Film it with music: an encyclopedic guide to the American movie musical.

Westport, CT; London : Greenwood Press, 2001.

Knight, Arthur: Disintegrating the musical: black performance and American musical film. Durham, NC; London : Duke University Press, 2002.

Kobal, John: Gotta sing, gotta dance: a history of movie musicals. Hamlyn, 1983.

Koepnick, Lutz – Bernhardt, Curtis: The dark mirror: German cinema between Hitler and Hollywood. Berkeley; Los Angeles; London: University of California Press, 2002.

Koerner, Julie: Hollywood musicals. New York: Friedman/Fairfax Publishers, 1997.

Langford, Barry: Film genre: Hollywood and beyond. Edinburgh: Edinburgh University Press, 2005.

Larkin, Colin – Martland, John: The Virgin encyclopedia of stage & film musicals. London: Virgin, 1999.

Lynch, Richard Chigley: Movie musicals: a directory of motion picture musicals, 1927-1987.

Westport, CT; London: Greenwood Press, 1989.

Marshall, Bill – Stilwell, Robynn: Musicals: Hollywood and beyond. Exeter; Portland, OR: Intellect Books, 2000.

Mast, Gerald: Can't help singin': the American musical on stage and screen. Woodstock, NY: Overlook Press, 1987.

Matthew-Walker, Robert: From Broadway to Hollywood: the musical and the cinema. London: Sanctuary, 1996.

Mizejewski, Linda: Ziegfeld girl: image and icon in culture and cinema. Durham: Duke University Press, 1999.

Papadimitrou, Lydia: The Greek film musical: a critical and cultural history. Jefferson, NC; London: McFarland, 2006.

Parish, James Robert – Pitts, Michael R.: The great Hollywood musical pictures. Metuchen, NJ; London: Scarecrow Press, 1992.

Rubin, Martin: Showstoppers: Busby Berkeley and the tradition of spectacle. New York: Columbia University Press, 1993.

Schatz, Thomas: Hollywood genres: formulas, filmmaking and the studio system. New York: Random House, 1981.

Springer, John: They sang! they danced! they romanced!: a pictorial history of the movie musical. New York: Carol, 1991.

Staskowski, Andrea: Movie musicals. Minneapolis: Lerner Publications, 1992.

Woll, Allen L.: The Hollywood musical goes to war. Chicago: Nelson-Hall, 1983.

Melodráma

BIBLIOGRÁFIA

MELODRÁMA

 

 

Alapvetõ irodalom:

Balogh Gyöngyi – Király Jenõ: Csak egy nap a világ. A magyar film mûfaj- és stílustörténete. Budapest: Magyar Filmintézet, 2000. pp. 586–627.

Balogh Gyöngyi – Király Jenõ: A melodráma nagyformája. Filmspirál 14, 15, 16.

Hollyday, Jan: Vér és könny. (Douglas Sirk, a melodráma mestere) Filmvilág 2002/3-4.

Hungler Tímea: A melodráma mûfajtörténete. Filmtett 2003/2, 3, 4.

Király Jenõ: Karády mítosza és mágiája. Budapest: Háttér Lap- és Könyvkiadó, 1989.

Király Jenõ: Az ellenvilág mito-logikája (Mesélés és ábrázolás: Sirk és Fassbinder). In: Király: Frivol múzsa I. Budapest: Nemzeti Tankönyvkiadó, 1993. pp. 199–213.

Király Jenõ: Kommentárok Kertész Mihály: Casablanca címû filmjének repólõtéri képsorához. In: Király: Frivol múzsa I. Budapest: Nemzeti Tankönyvkiadó, 1993. pp. 254–295.

Kovács András Bálint: Tehetetlen érzelmek. A modern melodráma. Filmvilág 2002/3. pp. 35–39.

Kovács András Bálint: Melodráma és modernizmus. In: Kovács: A modern film irányzatai. Budapest: Palatinus, 2005. pp. 106–115.

Stõhr Lóránt: Wong Kar-wai és a melodráma. Metropolis 2005/4. pp. 36–51.

Stõhr Lóránt: Nincs alku. Lars von Trier melodrámái. Metropolis 2006/2. pp. 40–58.

Varró Attila: Az örök trónkövetelõ. Stroheim melodrámái. Filmvilág 2006/10. pp. 44–45.

 

Ajánlott irodalom:

Barefoot, Guy: Gaslight melodrama: from Victorian London to 1940s Hollywood. New York: Continuum, 2001.

Byars, Jackie: All that Hollywood allows: re-reading gender in 1950s melodrama. Chapel Hill: University of North Carolina Press, 1991.

Cavell, Stanley: Contesting tears: the Hollywood melodrama of the unknown woman. Chicago: University of Chicago Press, 1996.

Cook, Pam: No Fixed Address: The Women's Picture from Outrage to Blue Steel. In: Screening the past: memory and nostalgia in cinema. London; New York: Routledge, 2005.

Doane, Mary Ann: Clinical eye: medical discourses in the "woman's film" of the 1940s. In: Suleiman, Susan Rubin (ed.): The Female body in Western Culture: contemporary perspectives. Cambridge, Mass.: Harvard University Press, 1986.

Elsaesser, Thomas: Tales of Sound and Fury: Observations on the Family Melodrama. In: Grant, Barry Keith (ed.): Film genre reader II. Austin: University of Texas Press, 1995. pp. 50-80.

Fischer, Lucy: Cinematernity: film, motherhood, genre. Princeton, N.J.: Princeton University Press, 1996.

Gaines, Jane: Fire and Desire: Race, Melodrama, and Oscar Micheaux. In: Diawara, Manthia (ed.): Black American Cinema. New York: Routledge, 1993.

Gaines, Jane: The Melos in Marxist Theory. In: James, David E – Berg, Rick (eds.): The Hidden Foundation: Cinema and the Question of Class. Minneapolis: University of Minnesota Press, 1996. pp. 56-71.

Gallagher, Mark: I married Rambo: spectacle and melodrama in the Hollywood action film. In Sharrett, Christopher (ed.): Mythologies of violence in postmodern media. Detroit, MI: Wayne State University Press, 1999.

Home is where the heart is: studies in melodrama and the woman's film. Ed.: Gledhill, Christine. London: BFI, 1987.

Imitations of life: a reader on film & television melodrama. Ed.: Landy, Marcia. Detroit: Wayne State University Press, 1991.

Joyrich, Lynne: All that television allows: TV melodrama, postmodernism, and consumer culture. In: Spigel, Lynn – Mann, Denise (eds.): Private screenings: television and the female consumer. Minneapolis: University of Minnesota Press, 1992.

Kaplan, E. Ann: Motherhood and representation: the mother in popular culture and melodrama. London; New York: Routledge, 1992.

Kaplan, E. Ann: Classical Hollywood Film and Melodrama. In: Hill, John – Gibson, Pamela (eds.): The Oxford guide to film studies. Oxford; New York: Oxford University Press, 1998. pp. 272-82

Kauffmann, Stanley: Film: melodrama and popular culture: Melodrama and farce: a note on a fusion in film. In: Gerould, Daniel: Melodrama. Martinsville, N.J.: Analecta Enterprises, 1980.

Kim, Soyoung: Questions of Woman's Film: The Maid, Madame Freedom, and Women. In: South Korean golden age melodrama: gender, genre, and national cinema. Detroit: Wayne State University Press, 2005. pp. 185-200.

Kuhn, Annette: Women's Genres: Melodrama, Soap Opera and Theory. In: Thornham, Sue (ed.): Feminist film theory: a reader. New York: New York University Press, 1999. pp. 146-56.

Kuhn, Annette: Women's pictures: feminism and cinema. London; New York: Verso, 1994.

Landy, Marcia: Melodrama and Femininity in Second World War British Cinema. In: Murphy, Robert (ed.): The British cinema book. London: British Film Institute, 2001. pp. 119-26.

Lang, Robert: American film melodrama: Griffith, Vidor, Minnelli. Princeton, N.J.: Princeton University Press, 1989.

Lehman, Peter: Crying over the Melodramatic Penis: Melodrama and Male Nudity in Films of the '90s. In: Lehman, Peter (ed.): Masculinity: bodies, movies, culture. New York: Routledge, 2001.

Leibowitz, Flo: Apt Feelings, or Why 'Women's Films' Aren't Trivial. In: Bordwell, David – Carroll, Noel (eds.): Post-theory: reconstructing film studies. Madison: University of Wisconsin Press, 1996.

Lutz, Tom: Men's Tears and the Roles of Melodrama. In: Shamir, Milette – Travis, Jennifer (eds.): Boys don't cry?: rethinking narratives of masculinity and emotion in the U.S.. New York: Columbia University Press, 2002. pp. 185-204.

Mayer, David – Day-Mayer, Helen: A 'Secondary Action' or Musical Highlight? Melodic Interludes in Early Film Melodrama Reconsidered. In: Abel, Richard – Altman, Rick (eds.): The sounds of early cinema. Bloomington: Indiana University Press, 2001. pp. 220-31.

McHugh, Kathleen Anne: American domesticity: from how-to manual to Hollywood melodrama. New York: Oxford University Press, 1999.

Melodrama and Asian cinema. Ed.: Dissanayake, Wimal. Cambridge; New York: Cambridge University Press, 1993.

Melodrama: stage, picture, screen. Ed.: Bratton, Jacky – Cook, Jim – Gledhill, Christine. London: British Film Institute, 1994.

Mercer, John: Melodrama : genre, style, sensibility. London; New York: Wallflower, 2004.

Mulvey, Laura: 'It Will Be a Magnificent Obsession': The Melodrama's Role in the Development of Contemporary Film Theory. In: Bratton, Jacky – Cook, Jim – Gledhill, Christine (eds.): Melodrama: stage, picture, screen. London: British Film Institute, 1994. pp. 121-33.

Nowell-Smith, Geoffrey: Genre criticism. Minnelli and melodrama. In: Nichols, Bill: Movies and methods: an anthology. Berkeley: University of California Press, 1976.

Oroz, Silvia: Melodrama: o cinema de lagrimas da America Latina. Rio de Janeiro, RJ : Rio Fundo Editora, 1992.

Partington, Angela: Melodrama's Gendered Audience. In: Franklin, Sarah – Lury, Celia & Stacey, Jackie (eds.): Off-centre: feminism and cultural studies. London; New York: Harper Collins Academic, 1991. pp. 49-68.

Robards, Brooks: Reel Art: Excursions into the Biopic, Mystery/Suspense, Melodrama and Movies in the Eighties. In: Loukides, Paul – Linda Fuller, K. (eds.): Beyond the stars. Vol 3: The material world in American popular film. Bowling Green, Ohio: Bowling Green University Popular Press, 1990. pp. 106-20.

Rowe, Kathleen: Comedy, melodrama, and gender. In: Brunovska Karnick, Kristine – Jenkins, Henry (eds.): Classical Hollywood comedy. New York: Routledge, 1995.

Rowe, Kathleen: Melodrama and men in post-classical romantic comedy. In: Kirkham, Pat – Thumin, Janet (eds.): Me Jane: masculinity, movies, and women. New York: St. Martin's Press, 1995.

Sharratt, Bernard: The Politics of the Popular? From Melodrama to Television. In: Bradby, David – James, Louis – Sharratt, Bernard: Performance and politics in popular drama: aspects of popular entertainment in theatre, film, and television, 1800-1976. Cambridge; New York: Cambridge University Press, 1980. pp. 275-295.

Singer, Ben: Female power in the serial-queen melodrama: the etiology of an anomaly. In: Abel, Richard: Silent film. New Brunswick, N.J. : Rutgers University Press, 1996.

Singer, Ben: Melodrama and modernity: early sensational cinema and its contexts. New York: Columbia University Press, 2001.

Sobchack, Thomas: Interiors: The Space of Melodrama. In: Loukides, Paul – Fuller, Linda K.: Beyond the stars. Vol. 4: Locales in American popular film. Bowling Green, Ohio : Bowling Green University Popular Press, 1990. pp. 261-77.

Tasker, Yvonne: Female friendship: melodrama, romance, feminism. In: Working girls: gender and sexuality in popular cinema. London; New York: Routledge, 1998.

Walsh, Andrea S.: Women's film and female experience, 1940-1950. New York: Praeger, 1984.

Williams, Linda: The American Melodramatic Mode. In: Williams, Linda: Playing the race card: melodramas of black and white from Uncle Tom to O.J. Simpson. Princeton, N.J.: Princeton University Press, 2001.

Williams, Linda: Melodrama revised. In: Browne, Nick (ed.): Refiguring American film genres: history and theory. Berkeley: University of California Press, 1998.

Kaland- és akciófilm

Bibliográfia:

Kaland- és akciófilm

 

Alapvetõ irodalom:

Király Jenõ: A kaland poétikája. In: Király: Frivol múzsa I. Budapest: Nemzeti Tankönyvkiadó, 1993. pp. 327–389.

Seeßlen, Georg: Abenteuer. Geschichte und Mythologie des Abenteuerfilms. Marburg: Schüren Pressverlag, 1996. (FSZEK)

 

Ajánlott irodalom:

Berenstein, Rhona J.: White heroines and hearts of darkness: Race, gender and disguise in 1930s jungle films. In: Film History 1994/3. pp.314–339.

Krämer, Peter: Would you take your child to see this film? The cultural and social work of the family-adventure movie. In: Neale, S.– Smith, M. (Ed.): Contemporary Hollywood Cinema. London, 1998. pp. 294–310.

Schöning, Jörg (Hg.): Triviale Tropen. Exotische Reise- und Abenteuerfilme aus Deutschland 1919-1939. München, 1997.

Tasker, Yvonne (Ed.): Action and Adventure Cinema. London & New York, 2004.

Taves, Brian: The Romance of Adventure. The Genre of Historical Adventure Movies. Jackson, 1993.

Traber, Bodo – Wulff, Hans Jürgen (Hg.): Filmgenres: Abenteuerfilm. Stuttgart, 2004

 

Horrorfilm

Bibliográfia:

Horrorfilm

 

Alapvetõ irodalom:

Brophy, Phil: Horrality – The Textuality of Contemporary Horror Films. Screen 1986/1. pp. 2–13.

Brosnan, John: The Horror People. London: Macdonald and Jane’s, 1976. (KJMK)

Carroll, Noël: The Philosophy of Horror or Paradoxes of the Heart. New York/London: Routledge, 1990. (FSZEK) Magyarul részlet: A horror paradoxona. Metropolis 2006/1. pp. 32–67.

Clover, Carol J.: Men, Women, and Chain Saws: Gender in the Modern Horror Film. Princeton, N.J.: Princeton University Press, 1992.

Creed, Barbara: The Monstrous-Feminine: Film, Feminism, and Psychoanalysis. London: Routledge, 1993.

Creed, Barbara: Horror and the Monstrous-Feminine. Screen 1986/1. pp. 44–70. Magyarul: A horror és az iszonytató nõiség. Képzeletbeli tisztátalanság. Metropolis 2006/1. pp. 88–109.

Dillard, R. H. W.: A rémfilm borzalma és költészete. In: Kenedi János (ed.): Írók a moziban. Budapest: Magvetõ, 1971. pp. 384–390.

Everson, William K.: Classics of the Horror Film. Secaucus, N.J.: Citadel Press, 1974.

Guerrero, Edward: Az AIDS mint szörnyeteg a tudományos-fantasztikus és horrorfilmekben. In: Nagy Zsolt (ed.): Tarantino elõtt. Tömegfilm a nyolcvanas években. Budapest: Új Mandátum Kiadó, 2000. pp. 106–120.

Heller, Terry: A terror és a fenséges. Prae 2004/1. pp. 5–17.

McGee, Chris: Reading the Horrible Body – Horror Film in its Context. http://www.ilstu.edu/~/cwmcgee/horror.htm. Magyarul: A borzalmas test olvasása – A horrorfilm kontextusai. Metropolis 2006/1. pp. 10–31.

King, Stephen: Danse Macabre. London: Macdonald Futura, 1981. Magyarul részletek: Haláltánc. Filmvilág 1999/3. pp. 30–33.

Kristeva, Julia: Powers of Horror: An Essay on Abjection. New York: Columbia University Press, 1982.

Hardy, Phil: Horror. London: Aurum Press, 1993.

A horrorfilm. Metropolis 2006/1.

Maddrey, Joseph: Nightmares in Red, White and Blue. The Evolution of the American Horror Film. Jefferson, N.C.: McFarland, 2004. (FSZEK)

Newman, Kim: Nightmare Movies. A Critical History of the Horrorfilm. London: Bloomsbury, 1988.

Paul,William: Laughing, Screaming. Modern Hollywood Horror and Comedy. New York: Columbia University Press, 1994. (FSZEK)

Rathgeb, Douglas L.: Az ösztön-én szörnyei – Rémálom és valóság a Halloween és a Rémálom az Elm utcában címû filmben. (ford. Rákár Gábor) In: Nagy Zsolt (szerk.): Tarantino elõtt. Tömegfilm a nyolcvanas években. Budapest: Új Mandátum Kiadó, 2000. pp. 89–105.

Skal, David J.: The Monster Show: A Cultural History of Horror. New York: W. W. Norton, 1993.

Sobchack, Vivian: A fantasztikus film. In: Geoffrey Nowell-Smith (ed.): Oxford Filmenciklopédia. Budapest: Glória Kiadó, 1998. pp. 323–331.

Tudor, Andrew: Monsters and Mad Scientists. A Cultural History of the Horror Movie. Oxford: Basil Blackwell, 1989. (FSZEK) Magyarul részlet: Narratívák. Metropolis 2006/1. pp. 68–87.

Twitchell, James B.: Dreadful Pleasures. An Anatomy of Modern Horror. New York/ Oxford: Oxford University Press, 1985.

Varga Zoltán: A horrorfilm – annotált filmográfia. Metropolis 2006/1. pp. 138–152.

Wood, Robin: Hollywood from Vietnam to Reagan. New York: Columbia University Press, 1986.

 

Válogatott irodalom magyar nyelven:

Ardai Zoltán: Remekbe vágva. (A texasi láncfûrészes gyilkosságok) Filmvilág 2003/2. pp. 33–35.

Beregi Tamás: A borzalom otthona. (Kísértetházak) Filmvilág 2001/8. pp. 24–30.

Bergendy Péter: Fesd falra az ördögöt! Filmkultúra 1989/1. pp. 70–76.

Bíró Gyula: Vámpírok újjászületése. Filmkultúra 1981/1. pp. 32–42.

Drakula 100. Filmvilág 1997/7. pp. 4–13.

Facsády Eszter: Skizofrén tudatok. Tudásadagolás a kortárs horrorfilmben: Távol-Kelet és Hollywood. http://www.filmkultura.hu/2005/articles/essays/horrortudas.hu.html

Hungler Tímea: Ördöggel cimborálva. (Dario Argento gótikája) Filmvilág 2001/6. pp. 37–39.

Hungler Tímea: Halvajárók. (Romero zombifilmjei) Filmvilág 2004/7. pp. 45–47.

Janisch Attila: Ki nyitotta ki az ajtót? (Ragyogás) Filmvilág 1995/5. pp. 28–33.

Király Jenõ: A borzalom esztétikája. Filmvilág 1988/ 7. pp. 8–15.

Király Jenõ: A romlás vad- és mûvirágai. (A fekete fantasztikum világa) In: Király: Frivol múzsa II. Budapest: Nemzeti Tankönykiadó, 1993. pp. 611–685.

Király Jenõ: Frankenstein és Faust. Filmvilág 1995/2. pp. 20–25.

Kisantal Tamás: Ez csak film… (Horror a moziban) Prae 2004/1. pp 33–45.

Kovács Marcell: Mösziõ Ordas. Filmvilág 2001/6. pp. 40–41.

Kovács Marcell: Szörnyek keringõi. (Lugosi és Karloff) Filmvilág 2003/2. pp. 29–32.

Kömlõdi Ferenc: Szörnyek évadnyitója. (Tod Browning) Filmvilág 1995/7. pp. 33–35.

Kömlõdi Ferenc: Sóhajok, könnyek, sötétség. (Dario Argento poklai) Filmvilág 1997/8. pp. 36–38.

Molnár Gál Péter: Az emberarcú vámpír. Filmvilág 1981/10. pp. 26–29.

Molnár Gál Péter: Miként válik valakibõl vámpír? (Lugosi Béla) Filmvilág 1996/10. pp. 10–12.

Pápai Zsolt: Mindenszentek éjszakája. (John Carpenter-portré) Filmvilág 1998/7. pp. 26–30.

Pápai Zsolt: Játék az árnyakkal. (Stephen King-adaptációk) Filmvilág 1999/3. pp. 26–29.

Pápai Zsolt: A horrorfilm története 1-3. Filmtett 2001/7-8-9.

Pápai Zsolt: Tetemrehívás. (Az ördögûzõ – Rendezõi változat) Filmvilág 2001/8. pp. 31–33.

Réz András: Armageddon a nappaliban. (Zombifilmek) Filmvilág 1985/11. pp. 31–35.

Schubert Gusztáv: A ponyvahõsök lázadása. Filmvilág 1995/4. pp. 32–35.

Varga Zoltán: Óh, irgalom anyja! (Családi horror) Filmvilág 2004/3. pp. 32–37.

Varga Zoltán: A sikoltástól a létértelmezésig. A nõk szerepe a horrorfilmben. Prae 2004/2. pp. 81–91.

Varga Zoltán: Damien visszatér. (Ómen-trilógia) Filmtett 2006/1. pp. 38–41.

Varga Zoltán: Fölébredni a (rém)álmokból? Álomkoncepciók a horrorfilmben. Metropolis 2006/1. pp. 124–137.

Varga Zoltán: A hívatlanok útja. Henry James: A csavar fordul egyet címû kisregényének filmes örökségérõl. Apertúra 2006/2, http://www.apertura.hu/2006/nyar/varga/

Varró Attila: Amerikai gótika. (Kosztümös horrorfilmek) Filmvilág 2000/4. pp. 18–21.

Varró Attila: Nosferatu árnyéka. (Vampiria) Filmvilág 2001/6. pp. 30–37.

Varró Attila: Szellem a házban. (Tévékép a hollywoodi kísértetfilmben) Metropolis 2001/4. pp.72–83.

Varró Attila: A testrabló támadása. (Cronenberg parazitái) Filmvilág 2004/3. pp. 38–39.

Varró Attila: A mi húsunk. (Zombi genezis) Filmvilág 2004/7. pp. 42–44.

Varró Attila: Fúriák az angol parkban. (A brit horror és a nõk) Filmvilág 2006/4. pp. 32–34.

Varró Attila: A Kép és a Szörny. A klasszikus horrorfilm mozgóképi önreflexiója. Metropolis 2006/1. pp.110–123.

 

 

Ajánlott irodalom angol nyelven:

Derry, Charles: Dark Dreams: a Psychological History of the Modern Horror Film. South Brunswick: A. S. Barnes, 1977.

Dika, Vera: Games of Terror: Halloween, Friday the 13th, and the films of the stalker cycle. Rutherford, N.J./London: Associated University Presses, 1990.

Fischer, Dennis: Horror Film Directors 1931–1990. Jefferson N.C.: McFarland, 1991.

Flynn, John L.: Cinematic Vampires: The Living Dead on Film and Television, from the Devil’s Castle (1896) to Bram Stoker’s Dracula (1992). Jefferson, N.C./London: McFarland, 1992.

Freeland, Cynthia: Feminist Frameworks for Horror Films. In: Bordwell, David – Carroll, Noël (eds.): Post-Theory: Reconstructing Film Studies. University of Wisconsin Press, 1996. pp. 195–218.

Freeland, Cynthia: The Naked and the Undead: Evil and the Appeal of Horror. Boulder, C.O.: Westwiew Press, 1999.

Gagne, Paul: The Zombies That Ate Pittsburgh: The Films of George A. Romero. New York: Dodd, Mead & Co., 1987.

Gifford, Dennis: A Pictoral History of Horror Movies. London: Hamlyn, 1977.

Grant, Barry Keith (ed.): Planks of Reason: Essays on the Horror Film. Metuchen, N.J.: Scarecrow Press, 1984.

Grant, Barry Keith (ed.): The Dread of Difference: Gender and the Horror Film. Austin: University of Texas Press, 1996.

Grant, Michael: The “Real” and the Abominations of Hell. Carl Theodor Dreyer’s Vampyr and Lucio Fulci’s The Beyond. http://www.kinoeye.org/03/02/grant02.php

Hogan, David J.: Dark Romance: Sexuality in the Horror Film. Jefferson, N.C./London: McFarland, 1986.

Hutchison, Tom: Horror and Fantasy in the Movies. New York: Crescent Books, 1974.

Iaccino, James F.: Psychological Reflections on Cinematic Terror: Jungian Archetypes in Horror Films. Westport, Conn.: Praeger, 1994.

Jankovich, Mark: Horror. London: B. T. Batsford, 1992.

Johnston, Deirdre D: Adolescents' Motivations for Viewing Graphic Horror. Human Communication Research 21 (1995) no. 4. pp. 522–553.

Jones, Stephen: The Illustrated Vampire Movie Guide. London: Titan Books, 1993.

Joslin, Lyndon W.: Count Dracula Goes to the Movies: Stoker's Novel Adapted, 1922-1995. Jefferson, N.C.: McFarland, 1999.

Kinnard, Roy: Horror in Silent Films: A Filmography, 1896-1929. Jefferson, N.C.: McFarland, 1995.

Leffler, Yvonne: Horror as Pleasure: The Aesthetics of Horror Fiction. Stockholm: Almqvist & Wiksell, 2000.

Levine, Michael: A Fun Night Out: Horror and Other Pleasures of the Cinema. http://www.sensesofcinema.com/contents/01/15/horror_fun.html

Mank, Gregory W.: It’s Alive! The Classic Cinema Saga of Frankenstein. London: Tantivy Press, 1981.

Mank, Gregory W.: Karloff and Lugosi: The Story of a Haunting Collaboration. Jefferson, N.C./London: McFarland, 1990.

Mank, Gregory W.: Hollywood Cauldron: Thirteen Horror Films from the Genre’s Golden

Age. Jefferson, N.C.: McFarland, 1993.

Mank, Gregory W.: Women in Horror Films, 1930s. Jefferson, N.C.: McFarland, 1999.

McCallum, Lawrence.: Italian Horror Films of the 1960s: A Critical Catalog of 62 Chillers. Jefferson, NC: McFarland, 1998.

McCarty, John: Splatter Movies: Breaking the Last Taboo of the Screen. Bromley, Kent: Columbus Books, 1984.

McCarty, John: The Modern Horror Film: 50 Contemporary Classics. New York: Carol Publishing Group, 1990.

McCarty, John: Movie Psychos and Madmen: Film Psychopaths from Jekyll and Hyde to Hannibal Lecter. Secaucus, N.J.: Carol Pub. Group, 1993.

McDonagh, Maitland: Broken Mirrors/Broken Minds: The Dark Dreams of Dario Argento. London: Sun Tavern Fields, 1991.

Modleski, Tania: The Terror of Pleasure: The Contemporary Horror Film and Postmodern Theory. In: Leo Braudy, Marshall Cohen (eds): Film Theory and Criticism: Introductory Readings. New York: Oxford University Press, 1999. pp: 691–700.

Pinedo, Isabel Cristina: Recreational Terror: Women and the Pleasures of Horror Film Viewing. Albany, N.Y.: State University of New York Press, 1997.

Pirie, David: A Heritage of Horror: The English Gothic cinema, 1946-1972. London: Gordon Fraser, 1973.

Pirie, David: Hammer: A Cinema Case Study. London: BFI Education, 1980.

Rasmussen, Randy Loren: Children of the Night: The Six Archetypal Characters of Classic Horror Films. Jefferson, N.C.: McFarland, 1998.

Robb, Brian J.: Screams and Nightmares: The Films of Wes Craven. Woodstock N.Y.: Overlook, 1998.

Schneider, Steven J.: Psychoanalysis in/and/of the Horror Film. http://www.sensesofcinema.com/contents/01/15/horror_psych.html

Schneider, Steven J. (ed.): Freud’s Worst Nightmares: Psychoanalysis and the Horror Film. Cambridge: Cambridge University Press, 2003.

Schoell, William: Stay out of the Shower: 25 Years of Shocker Films, Beginning with "Psycho". New York: Dembner Books, 1985.

Siegal, Joel E.: Val Lewton: The Reality of Terror. London: British film Institute, 1972.

Silver, Alain & Ursini, James (eds.): Horror Film Reader. New York: Limelight, 2000.

Skal, David J.: Hollywood Gothic: The Tangled Web of Dracula from Novel to Stage to Screen. London: W. W. Norton, 1990.

Stell, John: Psychos! Sickos! Sequels!: Horror Films of the 1980s. Baltimore, M.D.: Midnight Marquee Press, 1998.

Ursini, James & Silver, Alain: The Vampire Film: from Nosferatu to Bram Stoker’s Dracula. New York: Limelight Editions, 1993.

Tohill, Cathal& Tombs, Pete: Immoral tales: European Sex & Horror Movies 1956-1984. New York: St. Martin's Griffin, 1995.

Totaro, Donato: The Final Girl: A Few Thoughts on Feminism and Horror. http://www.horschamp.qc.ca/new_offscreen/final_girl.html

Waller, Gregory A. (ed.): American Horrors: Essays on the Modern American Horror Film. Urbana: University of Illinois Press, 1987.

Weaver, Tom: Poverty Row Horrors! Jefferson N.C.: McFarland, 1993.

Wells, Paul: The Horror Genre: From Beelzebub to Blair Witch. London: Wallflower, 2000.

Williams, Tony: Hearths of Darkness: The Family in the American Horror Film. Madison: Fairleigh Dickinson University Press, 1996.

 

 

Weboldalak:

British Horror Films – http://www.britishhorrorfilm.co.uk

Classic Horror – http://classic-horror.com

Horror Film – http://en.wikipedia.org/wiki/Horror_film

Horror.lap – http://www.horror.lap.hu

Horrorwatch – http://www.horrorwatch.com

House of Horrors – http://houseofhorrors.com

The 100 Scariest Movie Scenes – http://www.retrocrush.com/scary

Pretty Scary: For Women in Horror By Women in Horror – http://www.pretty-scary.net

The SF, Horror and Fantasy Film Review – http://www.moria.co.nz

Sokkmagazin – http://www.sokkmagazin.hu

The Terror Trap: Horror Movies, Reviews, Profiles and Reviews – http://www.terrortrap.com

Top 50 Horror Movies – http://www.bloodletters.com/movies

Top 50 Horror Titles – http://www.imdb.com/chart/horror

 

Film noir

BIBLIOGRÁFIA

FILM NOIR

 

 

Alapvetõ irodalom:

Ardai Zoltán: Emberünk a fõcsõben. (Raymond Chandler) Filmvilág 2000/9. pp. 32–36.

Berkes Ildikó – Nemes Károly: A bûnügyi film. Budapest: Uránusz, 2001.

Bikácsy Gergely: Hidegtál, sok késsel. Filmvilág 1986/4. pp. 29–33.

Borde, Raymond – Chaumeton, Étienne: Panorama du Film Noir Americain, 1941-1953. San Francisco: City Lights Books, 2002.

Durgnat, Raymond: Paint It Black: the Family Tree of the Film Noir. In: Film Noir Reader. Eds.: Alain Silver, James Ursini. New York: Limelight Editions, 1996.

Hardy, Phil: Bûnügyi filmek. In: Nowell-Smith, Geoffrey (ed.): Oxford Filmenciklopédia. Budapest: Glória, 1998. pp. 314–322.

Horváth Antal Balázs: Járatlan úton. Filmvilág 2000/8. pp. 22–24.

Horváth Antal Balázs: Fekete fuvar. (Edgar G. Ulmer: Terelõút) Filmvilág 2002/12. pp. 42–43.

Horváth Antal Balázs: Halott ember. (Billy Wilder: Gyilkos vagyok) Filmvilág 2003/6. pp. 50–51.

Horváth Antal Balázs: Bomba a határon. (Orson Welles: A gonosz érintése) Filmvilág 2004/1. pp. 52–53.

Kovács András Bálint: A domináns férfi alkonya (A postás mindig kétszer csenget) Filmvilág 1998/4. pp. 10–12

Kovács András Bálint: Sötét filmek. (A film noir és a modernitás) Filmvilág 2000/6. pp. 4–10.

Kovács András Bálint: A film új filozófiája – és az “átmenet” filmjei. In: Kovács: A film szerint a világ. Budapest: Palatinus, 2002. pp. 132–180.

Kovács András Bálint: A klasszikus elbeszélés feloldódása: a film noir és a modernizmus. In: Kovács: A modern film irányzatai. Budapest: Palatinus, 2005. pp. 264–274.

Kovács Marcell: Mélysötét. (Anthony Mann film noirjai) Filmvilág 2006/3. pp. 16–17.

Kömlõdi Ferenc: Álmodsz, aztán meghalsz (William Irish) Filmvilág 2000/9. pp. 36–39.

Köves Gábor: Film noir: A fekete széria. Filmtett 2002/19-20-21.

Kubiszyn Viktor: A félelem csak álom. (Charles Laughton: A vadász éjszakája) Filmvilág 2004/3. pp. 47–49.

Kubiszyn Viktor: A halál kék angyala (Jean-Pierre Melville: A szamuráj) Filmvilág 2004/4. pp. 36–37.

Muller, Eddie: Dark City: The Lost World of Film Noir. New York: St. Martin's Griffin, 1998. Magyarul részletek: Sötét város (A film noir elveszett világa) Filmvilág 2000/8. pp. 28–35.; Sötét város (A film noir elveszett világa 2) Filmvilág 2000/9. pp. 40–47.

Place, J. L. – Peterson, L. S.: Some Visual Motifs of Film noir. In: Bill Nichols (ed.): Movies and Methods: An Anthology. Berkeley–Los Angeles–London: University of California Press, 1976. pp. 325–336.

Schrader, Paul: Notes on Film Noir. In: Film Genre Reader II. Austin: University of Texas Press, 1995. Magyarul: Piszkos világszínpad. (Jegyzetek a film noirról) Filmvilág 2001/4. pp. 40–43.

Schubert Gusztáv: A detektívek bûne (Rekviem a film noirért) Filmvilág 2001/4. p. 39.

Scorsese, Martin: A Personal Journey with Martin Scorsese Through American Movies. London: Faber and Faber Limited, 1997. (FSZEK)

Simsolo, Noël: Le film noir: vrais et faux cauchemars. Paris: Cahiers du cinéma, 2005. (FSZEK)

Varró Attila: Walker, mon amour (John Boorman: Point Blank) Filmvilág 2003/7. pp. 16–19.

Varró Attila: A Hatlövetû jegyében (Film noir: menekülõ szerelmesek) Filmvilág 2005/1. pp. 12–16.

 

 

Ajánlott irodalom:

Abbott, Megan E.: The street was mine: white masculinity in hardboiled fiction and film noir. New York: Palgrave Macmillan, 2002.

Agostinelli, Alessandro: Una filosofia del cinema americano: individualismo e noir. Pisa: ETS, 2004.

Arthur, Paul: The Gun in the Briefcase: Or, the Inscription of Class in Film Noir. In: David E. James, Rick Berg (eds.): The Hidden Foundation: Cinema and the Question of Class. Minneapolis: University of Minnesota Press, 1996. pp. 90-113.

Arthur, Paul: Murder's Tongue: Identity, Death, and the City in Film Noir. In: J. David Slocum (ed.): Violence and American cinema. New York: Routledge, 2001. pp. 153-75.

Biesen, Sheri Chinen: Blackout: World War II and the origins of film noir. Baltimore: John Hopkins University Press, 2005.

Bondebjerg, Ib: Danish film noir: style, themes and narration. In: Lennard Hejbjerg & Peter Schepelern (eds.): Film style and story: a tribute to Torben Grodal. Copenhagen: Museum Tusculanum Press, 2003.

The Book of Film Noir. Ed.: Ian Cameron. New York: Continuum, 1993.

Bould, Mark: Film noir: from Berlin to Sin City. London; New York: Wallflower, 2005.

Buhle, Paul: Politics and mythology of film art: the noir era. In: Paul Buhle, Dave Wagner (eds): Radical Hollywood: the untold story behind America's favorite movies. New York: New Press, 2002.

Buss, Robin: French Film Noir. London; New York: M. Boyars, 1994.

Butler, David: Jazz noir: listening to music from Phantom lady to The last seduction. Westport, Conn.: Praeger, 2002.

Chopra-Gant, Mike: Hollywood genres and postwar America: masculinity, family and nation in popular movies and film noir. London; New York: I.B. Tauris Pub., 2006.

Christopher, Nicholas : Somewhere in the Night: Film Noir and the American City. New York: Free Press, 1997.

Cochran, David: America Noir: underground writers and filmmakers of the postwar era.Washington [D.C.]: Smithsonian Institution Press, 2000.

Crowther, Bruce: Film Noir: Reflections in a Dark Mirror. New York: Continuum, 1989.

Davis, Blair: Horror meets noir: the evolution of cinematic style, 1931-1958. In: Steffen Hantke (ed.): Horror film: creating and marketing fear. Jackson: University Press of Mississippi, 2004.

Dickos, Andrew: Street with no name: a history of the classic American film noir. Lexington: University Press of Kentucky, c2002.

Dimendberg, Edward: Film noir and the spaces of modernity. Cambridge, Mass.: Harvard University Press, 2004.

Dixon, Wheeler Winston: The Endless embrace of Hell: Hopelessness and betrayal in film noir. In: Murray Pomerance (ed.): Cinema and modernity. New Brunswick, N.J.: Rutgers University Press, 2006.

Film Noir: An Encyclopedic Reference to the American Style. Eds.: Alain Silver, Elizabeth Ward. Woodstock, N.Y.: Overlook Press, 1992.

Film Noir Reader. Eds.: Alain Silver, James Ursini. New York: Limelight Editions, 1996.

Film Noir Reader 2. Eds.: Alain Silver & James Ursini. New York: Limelight Editions, 1999.

Film noir reader 3: interviews with filmmakers of the classic noir period. Eds.: Robert Porfirio, Alain Silver, James Ursini. New York: Limelight; Lancaster: Gazelle, 2001.

Film noir reader 4. Eds.: Alain Silver, James Ursini. [Pompton Plains] N.J.: Limelight Editions; [Milwauke, Wisc.], 2004.

Gifford, Barry: Out of the past: adventures in film noir. Jackson, Miss.: University Press of Mississippi, 2001.

Guerif, Francois: Le Film Noir Americain.. [Bordeaux]: Editions H. Veyrier, 1979.

Hannsberry, Karen Burroughs: Femme Noir: Bad Girls of Film. Jefferson, N.C.: McFarland, 1998.

Hare, William: Early film noir: greed, lust and murder Hollywood style. Jefferson, N.C.: McFarland, 2003.

Hare, William: L.A. noir: nine dark visions of the City of Angels. Jefferson, N.C.: McFarland, c2004.

Hirsch, Foster: The Dark Side of the Screen: Film Noir. New York, N.Y.: Da Capo Press, 1983.

Hockley, Luke: Film noir: archetypes or stereotypes? In: Christopher Hauke, Ian Alister (eds.): Jung & film: post-Jungian takes on the moving image. Hove, East Sussex; New York: Brunner-Routledge, 2001.

Karimi, Amir Massoud: Toward a Definition of the American Film Noir (1941-1949). New York: Arno Press, 1976.

Keaney, Michael F.: Film noir guide: 745 films of the classic era, 1940-1959. Jefferson, N.C.: McFarland, 2003.

Krutnik, Frank: In a Lonely Street: Film Noir, Genre, Masculinity. London; New York: Routledge, 1991.

Lott, Eric: The Whiteness of Film Noir. In: Larry J. Reynolds, Gordon Hutner (eds): National imaginaries, American identities: the cultural work of American iconography. Princeton, N.J.: Princeton University Press, 2000.

Luhr, William: Raymond Chandler and Film. Tallahassee: Florida State University Press; 1991.

Lyons, Arthur: Death on the cheap: the lost B movies of film noir. [New York]: Da Capo Press, 2000.

Martin, Richard: Mean Streets and Raging Bulls: The Legacy of Film Noir in Contemporary American Cinema. Lanham, Md.: Scarecrow Press, 1997.

Maxfield, James F.: The Fatal Woman: Sources of Male Anxiety in American Film Noir, 1941-1991. Madison: Fairleigh Dickinson University Press; London: Associated University Presses, 1996.

Menegaldo, Gilles: Flashbacks in Film Noir. In: Francois Gallix, Vanessa Guignery (eds.): Crime fictions: Subverted codes and new structures. Paris: Presses de l'universite Paris-Sorbonne, 2004.

Muller, Eddie: The art of noir: the posters and graphics from the classic era of film noir.Woodstock: Overlook Press, 2002.

Muller, Eddie: Dark city dames: the wicked women of film noir. New York: Regan Books, 2001.

Naremore, James: More Than Night: Film Noir in its Contexts. Berkeley: University of California Press, 1998.

Naremore, James: Hitchcock at the Margins of Noir. In: Richard Allen, S. Ishii-Gonzales (eds.): Alfred Hitchcock: Centenary Essays. London: British Film Institute, 1999. pp: 263-77

Ottoson, Robert: A Reference Guide to the American Film Noir, 1940-1958. Metuchen, N.J.: Scarecrow Press, 1981.

Palmer, R. Barton: Hollywood's Dark Cinema: the American Film Noir. New York: Twayne Publishers, 1994.

Phillips, Gene D.: Creatures of darkness: Raymond Chandler, detective fiction, and film noir. Lexington: University Press of Kentucky, 2000.

The philosophy of film noir. Ed.: Mark T. Conard. Lexington: University Press of Kentucky, 2006.

Place, Janey: Women in film noir. In: Tony Bennett (ed.): Popular fiction: technology, ideology, production, reading. London; New York: Routledge, 1990. Popular fiction series.

Reichert, Tom – Melcher, Charlene: Film noir, feminism, and the femme fatale: the hyper-sexed reality of Basic instinct. In: Marian Meyers (ed.): Mediated women: representations in popular culture. Cresskill, N.J.: Hampton Press, 1999.

Renzi, Thomas C.: Cornell Woolrich: from pulp noir to film noir. Jefferson, N.C.: McFarland & Co., 2006.

Rich, Nathaniel: San Francisco noir: the city in film noir from 1940 to the present. New York: Little Bookroom, 2005

Richardson, Carl: Autopsy: An Element of Realism in Film Noir. Metuchen, N.J.: Scarecrow Press, 1992.

Sarris, Andrew: The Film Noir. In: "You ain't heard nothin' yet": the American talking film, history & memory, 1927-1949. New York: Oxford University Press, 1998.

Schwartz, Ronald: Neo-noir: the new film noir style from Psycho to Collateral. Lanham, Md.: Scarecrow Press, 2005.

Schwartz, Ronald Noir, now and then: film noir originals and remakes (1944-1999). Westport, CT: Greenwood Press, 2001.

Selby, Spencer: Dark City: The Film Noir. Jefferson, N.C.: McFarland, 1984.

Silver, Alain: L.A. noir: the city as character. Santa Monica, CA : Santa Monica Press, 2005.

Silver, Alain: The Noir Style. Woodstock, N.Y.: Overlook Press, 1999.

Sobchack, Vivian: Lounge Time: Postwar Crises and the Chronotope of Film Noir. In: Nick Browne (ed.): Refiguring American Film Genres: History and Theory. Berkeley: University of California Press, 1998. pp: 129–70

Spicer, Andrew: Film noir. Harlow, England; New York: Longman/Pearson Education, 2002.

Stephens, Michael L.: Film Noir: A Comprehensive, Illustrated Reference to Movies, Terms, and Persons. Jefferson, N.C.: McFarland, 1995.

Telotte, J. P.: Voices in the Dark: The Narrative Patterns of Film Noir. Urbana: University of Illinois Press, 1989.

Tuska, John: Dark Cinema: American Film Noir in Cultural Perspective. Westport, Conn.: Greenwood Press, 1984.

Wager, Jans B.: Dames in the driver's seat : rereading film noir. Austin: University of Texas Press, 2005.

Wager, Jans B.: Dangerous Dames: Women and Representation in the Weimar Street Film and Film Noir. Athens: Ohio University Press, 1999.

Women in Film Noir. Ed.: Ann Kaplan. London: BFI Publishing, 1998.

Zizek, Slavoj: The Thing That Thinks: The Kantian Background of the Noir Subject. In: Joan Copjec (ed.): Shades of Noir: A Reader. London; New York: Verso, 1993; pp: 199-226.

Fantasy

Bibliográfia:

Fantasy

 

Alapvetõ irodalom magyar nyelven:

Ardai Zoltán: Fába szorult lélek. (Pinokkió-filmek) Filmvilág 2002/2. pp. 34–36.

Beregi Tamás: Csillagok mágiája. A Star Wars-trilógia. Filmvilág 1999/9. pp. 54–55.

Beregi Tamás: Hol volt, hol nem lesz. (A fantasy film világképe) Filmvilág 2002/2. pp. 18–25.

Beregi Tamás: A metamorfózis erdeje. Filmvilág 2005/12.

Fantasy-összeállítás. Filmtett 2006/8. (október) pp. 14–28.

Király Jenõ: A film második gyerekkora. (Szupermenek és terminátorok) Filmvilág 1992/3. pp. 4–13.

Király Jenõ: A fantasztikum poétikája. In: Király: Frivol múzsa II. Budapest: Nemzeti Tankönyvkiadó, 1993. pp. 515–610.

Kömlõdi Ferenc: Démonok és hobbitok. (Peter Jackson: A Gyûrûk Ura) Filmvilág 2002/2. pp. 26–27.

Sobchak, Vivian: A fantasztikus film. In: Nowell-Smith, Geoffrey (szerk.): Oxford Filmenciklopédia. Budapest: Glória, 1998.

Varga Zoltán: A fantasy varázsvilága. Filmtett 2006/8. (október) pp. 14–19.

 

Ajánlott irodalom:

Brooker, Will: Using the force: creativity, community, and Star Wars fans. New York: Continuum, 2002.

Fantasy and the cinema. Ed.: Donald, James. London: BFI Pub., 1989.

Fantasy girls: gender in the new universe of science fiction and fantasy television. Ed.: Helford, Elyce Rae. Lanham, MD: Rowman & Littlefield, 2000.

Frank, Alan G.: The science fiction and fantasy film handbook. Totowa, N.J.: Barnes & Noble Books, 1982.

Galbraith, Stuart: Japanese science fiction, fantasy, and horror films: a critical analysis of 103 features released in the United States, 1950-1992. Jefferson, N.C.: McFarland, 1994.

Galbraith, Stuart: Monsters are attacking Tokyo!: the incredible world of Japanese fantasyfilms. Venice, CA: Feral House, 1998.

Galipeau, Steven A.: The journey of Luke Skywalker: an analysis of modern myth and symbol. Chicago: Open Court, 2001.

Gordon, Andrew: Star Wars: A Myth for Our Time. In: Eds.: Martin, Joel W. – Ostwalt, Conrad E., Jr.: Screening the Sacred: Religion, Myth, and Ideology in Popular American Film. Boulder: Westview Press, 1995. pp. 73-82.

Gordon, Andrew: You'll Never Get Out of Bedford Falls: The Inescapable Family in American Science Fiction and Fantasy Films. Journal of Popular Film and Television, 1992. nyár. pp. 2–9.

Holston, Kim R.: Science fiction, fantasy, and horror film sequels, series, and remakes: an illustrated filmography, with plot synopses and critical commentary. Jefferson, N.C.: McFarland, 1997.

Iaccino, James F.: Jungian reflections within the cinema: a psychological analysis ofsci-fi and fantasy archetypes. Westport, Conn.: Praeger, 1998.

Lentz, Harris M.: Science fiction, horror and fantasy film and television credits. Jefferson, N.C.: McFarland, 1983.

Norden, Martin F.: America And Its Fantasy Films: 1945-1951. Film & History 1982/1. pp. 1–11.

Senn, Bryan: Fantastic cinema subject guide: a topical index to 2500 horror, sciencefiction, and fantasy films. Jefferson, N.C.: McFarland & Co., 1992.

Shadows of the magic lamp: fantasy and science fiction in film. Eds.: Slusser, George – Rabkin, Eric S. Carbondale: Southern Illinois University Press, 1985.

Sherman, Fraser A.: Cyborgs, Santa Claus, and Satan: science fiction, fantasy, and horrorfilms made for television. Jefferson, N.C.:McFarland, c2000.

Weaver, Tom: Science fiction and fantasy film flashbacks: conversations with 24 actors, writers, producers, and directors from the golden age. Jefferson, N.C.: McFarland, 1998.

Weisser, Thomas: Japanese cinema encyclopedia. The horror, fantasy, and scifi films. Miami, Fla.: Vital Books; Asian Cult Cinema Publications, 1997.

Erotikus film, szexfilm, pornófilm

Bibliográfia:

Erotikus film, szexfilm, pornófilm

 

Alapvetõ irodalom:

Crabbe, Anthony: Egészestés szexfilmek. In: Nagy Zsolt (ed.): Tarantino elõtt 1. A tömegfilm a nyolcvanas években. Budapest: Új Mandátum, 2000. pp. 140–171.

Gelencsér Gábor: A test filmje. (Mûvészet és pornográfia) Filmvilág 2002/6. pp. 25–28.

Király Jenõ: Szexuálesztétika. In: Király: Frivol múzsa II. Budapest: Nemzeti Tankönyvkiadó, 1993. pp. 787–931.

Michelson, Peter: The Aesthetics of Pornography. New York: Herder and Herder, 1971.

Porn Studies. Ed.: Linda Williams. Duke University Press, 2004.

Prince, Stephen: Hatalom és fájdalom – Tartalomelemzés és a pornográfia ideológiája. In: Nagy Zsolt (ed.): Tarantino elõtt 1. A tömegfilm a nyolcvanas években. Budapest: Új Mandátum, 2000. pp. 212–234.

Rollin, Roger B.: Az erotikus filmek és közönségük. In: Nagy Zsolt (ed.): Tarantino elõtt 1. A tömegfilm a nyolcvanas években. Budapest: Új Mandátum, 2000. pp. 172–211.

Seesslen, Georg: Erotik. Ästhetik des erotischen Films. Marburg: Schüren Pressverlag, 1996. (FSZEK)

Varró Attila: Russ-modor. (Amerikai szexklasszikusok) Filmvilág 2002/6. pp. 25–28.

Varró Attila: Mese felnõtteknek. (Amerikai pornóklasszikusok) Filmvilág 2005/8. pp. 40–44.

Williams, Linda: Hard Core: Power, Pleasure and the Frenzy of the Visible. University of California Press, 1989. [Magyarul részlet: Hatalom, élvezet és perverzió. Kalligram 1998. december. pp. 133–177.]

Williams, Linda: Szex és szenzáció. In: Geoffrey Nowell-Smith (ed.): Oxford Filmenciklopédia. Budapest: Glória, 1998. pp. 508–514.

 

 

Ajánlott irodalom magyarul:

Barna György: Magyar pornó. Filmvilág 1995/10. pp. 38–43.

Bikácsy Gergely: Dalol a klitorisz. (Just Jaeckin: Emmanuelle) Filmvilág 1990/2. pp. 47–51.

Bikácsy Gergely: Bíbor onánia. (Walerian Borowczyk: Erkölcstelen mesék) Filmvilág 1990/8. pp. 26–29.

Bikácsy Gergely: Zampano ostora. (Fellini-tengerek, Fellini-nõk) Filmvilág 2000/12. pp. 22–29.

Bikácsy Gergely: Vörös, fehér, bordó. (A számûzött Erósz) Filmvilág 2002/2. pp. 38–42.

Bikácsy Gergely: Kontraszex-történet. (Olasz érosz) Filmvilág 2005/9. pp. 20–25.

Fáber András: A Vadember moziba megy. (Filmerotika) Filmvilág 1985/1. pp. 18–24.

Földényi F. László: Jéghideg erotika. (Michael Haneke: A zongoratanárnõ) Filmvilág 2002/2. pp. 43–45.

Hirsch Tibor: Põrén, buján, pajkosan. (Erotika és öncenzúra az ezredforulón) Filmvilág 1999/7. pp. 24–27.

Király Jenõ: Amerikai kéjcirkusz. (Traci Lords) Filmvilág 1993/6. pp. 14–18.

Király Jenõ: A pornográf szende. (Cicciolina) Filmvilág 1993/7. pp. 18–23.

Király Jenõ: A felébredt test. (Olinka) Filmvilág 1993/8. pp. 40–43.

Kubiszyn Viktor: A test démonai (Oshima Nagisa: Érzékek birodalma) Filmvilág 2005/8. pp. 45–47.

Schubert Gusztáv: A prüdéria pornográfiája. (Szextilalom) Filmvilág 2005/7. pp. 4–7.

Varga Zoltán: Bestia az angyalban. (Walerian Borowczyk: Az állat) Filmvilág 2005/9. pp. 26–27.

Vágvölgyi B. András: FAQ. (Kinsey) Filmvilág 2005/7. pp. 8–11.

Zachar Balázs: Mese felnõtteknek. (Beszélgetés Kovács “Kovi” Istvánnal) Filmvilág 2002/6. pp. 34–35.

Zoltán Gábor: Metapornó (Catherine Breillat) Filmvilág 2005/8. pp. 48–49.

 

Ajánlott irodalom angol nyelven:

Berkowitz, Stan: Russ Meyer: Sex, Violence and Drugs – All in Good Fun. Film Comment 1973/1. pp. 46–51.

Chambers, Marilyn: Marilyn Chambers – My Story. New York, 1975.

Corliss, Richard: Cinema Sex: From ‘The Kiss’ to ‘Deep Throat’. Film Comment 1973/1.

Corliss, Richard: Radley Metzger: Aristocrat of the Erotic. Film Comment 1973/1. pp. 18–29.

Ellis, John: On Pornography. Screen1980/1. pp. 81–108.

Giles, Dennis. Angel on Fire: Three Texts of Desire. The Velvet Light Trap, 1976/16. pp. 41–45.

Giles, Dennis. Pornographic Space: The Other Place. In: Ben Lawton – Janet Staiger (eds.): The 1977 Film Studies Annual: Part II. Pleasantville, NY: Redgrave, 1977.

Lovelace, Linda – McGrady, Mike: Ordeal. New York: Citadel Press; Berkeley Books, 1980.

Lowry, Ed. – Black, Louis: Russ Meyer. Film Comment 1980/4. pp. 44–48.

Pajaczkowska, Claire: The Heterosexual Presumption: A Contribution to the Debate on Pornography. Screen 1981/1. pp. 79–94.

Pajaczkowska, Claire: Imagistic Representation and the Status of the Image in Pornography. Cine-Tracts 1980/3. pp. 13–23.

Peary, Dannis: From Vixen to Vindication: Erica Gavin Interviewed. The Velvet Light Trap, 1976/16. pp. 22–27.

Phelix, Leo – Thissen, Rolf: Pioniere und Prominente des modernen Sexfilms. München, 1983.

Slade, Joseph P.: The Porn Market and Porn Formulas: The Feature Films of the Seventies. Journal of Popular Film 1977/2.

Tohill, Cathal& Tombs, Pete: Immoral tales: European Sex & Horror Movies 1956-1984. New York: St. Martin's Griffin, 1995.

Turan, Kenneth – Zito, Stephen F: Sinena: American Pornographic Films and the People Who Make Them. New York: Praeger; Signet, 1974.

Yakir, Dan – Davis, Bruce: Beyond the Big Breast – Can Russ Meyer Keep It 'Up'. The Thousand Eyes Magazine 1976/4. pp. 67

Wells, John Warren: Different Strokes. New York, 1974.

Bűnügyi film

Bibliográfia:

Bûnügyi film

(krimi, thriller, gengszterfilm)

 

Alapvetõ irodalom:

Auzel, Dominique: Alfred Hitchcock. Pécs, Alexandra Kiadó, 2001.

Báron György: A technokrata rendezõ. Brian De Palma portréjához. Filmvilág 1989/10. pp. 22–25.

Berkes Ildikó – Nemes Károly: A bûnügyi film. Budapest: Uránusz Kiadó, 2001.

Bikácsy Gergely: Hidegtál, sok késsel. Bûnügyi film francia módon. Filmvilág 1986/4. pp. 29–34.

Bikácsy Gergely: A kések és a formák. Zuhanás Hithcockkal. Filmvilág 1986/10. pp. 2–7.

Bikácsy Gergely: Melville és a francia bûnügyi film. In: Bikácsy: Bolond Pierrot moziba megy. Budapest: Héttorony, 1992. pp. 231–241.

Bikácsy Gergely: A bûn Ikaruszai. Orson Welles. Filmvilág 1997/2. pp. 32–37.

Bikácsy Gergely: Radosch felügyelõ lábfürdõje. Bécsi vér. Filmvilág 1998/6. pp. 41–43.

Bodolai László: Szig. biz. Kémek a moziban. Filmvilág 2002/10. pp. 14–19.

British crime cinema. Eds.: Chibnall, Steve – Murphy, Robert. London; New York: Routledge, 1999. (FSZEK)

Derry, Charles: The suspense thriller: films in the shadow of Alfred Hitchcock. Jefferson, N.C.: McFarland, c1988.

Fä rber, Helmut: Hitchcock. In: Filmélet. Budapest: Magvetõ, 1968. pp. 190–208.

Hardy, Phil: Bûnügyi filmek. In: Nowell-Smith, Geoffrey (ed.): Oxford Filmenciklopédia. Budapest: Glória, 1998. pp. 314–322.

Hegyi Gyula: Esténként a felügyelõ. Filmvilág 1984/4. pp. 57–60.

Hitchcock, Alfred: A borzongás, a feszültség és a nézõ. In: Gottlieb, Sidney (ed.): Alfred Hithcock. Budapest: Osiris, 2001. pp. 119–173.

Hungler Tímea: Szép a rút. Sorozatgyilkos-filmek. Filmvilág 2001/2. pp. 45–47.

Hungler Tímea: Kémhatások. Filmvilág 2002/10. pp. 26–28.

Király Jenõ: A bûn prófétái. Gengsztermítoszok. Filmvilág 1991/2. pp. 21–29.

Király Jenõ: A bûn kalandja. In: Király: Frivol múzsa I. Budapest: Nemzeti Tankönyvkiadó, 1993. pp. 367–389.

Koltai Ágnes: A bûn története. Krimi magyar módra. Filmvilág 1986/10. pp. 10–13.

Kovács István: Az adósságtól a gyilkosságig. Lengyel bûnfilmek. Filmvilág 2000/10. pp. 26–28.

Kovács Marcell: Agyfürkészõk. Amerikai paranoiafilmek. Filmvilág 2003/7. pp. 8–12.

A krimi. Ed.: Keszthelyi Tibor. Budapest: Gondolat, 1985.

Pápai Zsolt: Thrillerhez öltözve. Brian De Palma portréja. Filmvilág 1999/1. pp. 36–39.

Pápai Zsolt: Halotti beszédek. Klasszikus gengszterfilmek. Filmvilág 2005/7. pp. 26–30.

Rubin, Martin: Thrillers. Cambridge, UK; New York, NY, USA: Cambridge University Press, 1999.

Stõhr Lóránt: Az ellenállás tragikomédiája. Jean-Pierre Melville. Filmvilág 2004/5. pp. 29–34.

Takács Ferenc: Az író, aki bejött a hidegrõl. Le Carré kémei. Filmvilág 2002/10. pp. 20–23.

Trosin, Alexander: Újra szól a kalasnyikov. Orosz maffiafilmek. Filmvilág 2000/10. pp. 22–25.

Trosin, Alexander: Keresd a nõt! Az orosz krimi nemet vált. Filmvilág 2002/1. pp. 34–38.

Truffaut, Francois: Hitchcock. Budapest: Magyar Filmintézet – Pelikán Kiadó, 1996.

Vajda Judit: A thriller mûfajtörténete 1-3. Filmtett 2003/július-október.

Varga Zoltán: A félelem formái. A klasszikus és a kortárs thriller összevetése A félelem órái két verziója alapján. Apertúra 2005/1. http://www.apertura.hu/2005/osz/varga/

Varró Attila: Szebb tegnap. Hongkongi filmtriád. Filmvilág 2000/7. pp. 28–31.

Varró Attila: A köztünk élõ szörnyeteg. Lon Chaney, a gazember. Filmvilág 2005/7. pp. 31–32.

 

Ajánlott irodalom:

Baxter, John: The gangster film. London: A. Zwemmer; New York: A. S. Barnes [1970].

Brode, Douglas: Money, women, and guns: crime movies from Bonnie and Clyde to the present. Secaucus, N.J.: Carol Pub. Group, 1995.

Chadder, Viv: The Higher Heel: Women and the Post-War British Crime Film. In: Murphy, Robert (ed.): The British cinema book. British Film Institute, 2001. pp. 66-80 London.

Chibnall, Steve: Get Carter. London; New York: I.B. Tauris, 2003.

Chibnall, Steve: Travels in Ladland: The British Gangster Film Cycle 1998-2001. In: Murphy, Robert (ed.): The British cinema book. British Film Institute, 2001. pp. 281-91.

Clarens, Carlos: Crime movies: from Griffith to the Godfather – and beyond. New York: Norton, 1980

Cocchiarelli, Joseph J.: Screen sleuths: a filmography. New York: Garland Pub., 1992.

Crime fiction and film in the Southwest: bad boys and bad girls in the badlands. Ed.: Glassman, Steve – O'Sullivan, Maurice J. Bowling Green, OH: Bowling Green State University Popular Press, 2001.

The detective in American fiction, film, and television. Eds.: Delamater, Jerome H. – Prigozy, Ruth. Westport, Conn.: Greenwood Press, 1998.

The Devil himself: villainy in detective fiction and film. Eds.: Gillis, Stacy – Gates, Philippa. Westport, Conn.: Greenwood Press, 2002.

Durgnat, Raymond: Some Lines of Inquiry into Post-War British Crimes. In: Murphy, Robert (ed.): The British cinema book. British Film Institute, 2001. pp. 135-45

Everson, William K.: The bad guys; a pictorial history of the movie villain. New York, Citadel Press [1964].

Everson, William K.: The detective in film. Secaucus,N.J., Citadel Press [1972].

Gemunden, Gerd: The gangster film and melodrama of Rainer Werner Fassbinder. In: Framed visions: popular culture, Americanization, and the contemporary German and Austrian imagination. Ann Arbor: University of Michigan Press, 1998.

Guerrero, Ed: Black Violence as Cinema: From Cheap Thrills to Historical Agonies. In: Slocum, J. David (ed.): Violence and American cinema. New York: Routledge, 2001. pp. 212-25.

Haydock, Ron: Deerstalker!: Holmes and Watson on screen. Metuchen, N.J.: Scarecrow Press, 1978.

Karpf, Stephen Louis: The gangster film: emergence, variation, and decay of a genre, 1930-1940. New York: Arno Press, 1973.

King, Neal: Heroes in hard times: cop action movies in the U.S. Philadelphia: Temple University Press, 1999.

Kitwana, Bakari: Young, don't give a fuck, and Black: Black gangster films. In: The hip hop generation: young Blacks and the crisis in African American culture. New York: Basic Civitas, 2002.

Langman, Larry: A guide to American crime films of the thirties. Westport, Conn.: Greenwood Press, 1995.

Langman, Larry: A guide to American crime films of the forties and fifties. Westport, Conn.: Greenwood Press, 1995.

Langman, Larry: A guide to American silent crime films. Westport, Conn.: Greenwood Press, 1994.

Lee, Raymond: Gangsters and hoodlums; the Moffittrworld in the cinema. South Brunswick [N.J.]: A. S. Barnes, 1971.

Leitch, Thomas M.: Crime films. Cambridge; New York: Cambridge University Press, 2002.

Luhr, William: Raymond Chandler and film. Tallahassee: Florida State University Press; Gainesville, FL: University Presses of Florida, 1991.

Lyden, John: Genre and film analyses: Gangster films. In: Lyden, John: Film as religion: myths, morals, and rituals. New York: New York University Press, 2003.

Maltby, Richard: The Spectacle of Criminality. In: Slocum, J. David (ed.): Violence and American cinema. New York: Routledge, 2001. pp. 115-52.

Mason, Fran: American gangster cinema: from Little Caesar to Pulp fiction. New York : Palgrave Macmillan, 2002.

McCarty, John: Bullets over Hollywood : the American gangster picture from the silents to The Sopranos. Cambridge, MA: Da Capo Press, 2004.

McCarty, John: Hollywood gangland: the movies' love affair with the mob. New York: St. Martin's Press, 1993.

McDonald, Keiko Iwai: The Yakuza Film: An Introduction. In: Nolletti, Jr, Arthur – Desser, David (eds.): Reframing Japanese cinema : authorship, genre, history. pp. 165-92. Bloomington: Indiana University Press, 1992.

Mitchell, Edward: Apes and essences: some sources of significance in the American gangster film. In: Grant, Barry Keith: Film genre reader II. Austin: University of Texas Press, 1995.

Mob culture: hidden histories of the American gangster film. Ed.: Grieveson, Lee – Sonnet, Esther – Stanfield, Peter. New Brunswick, N.J.: Rutgers University Press, 2005.

Munby, Jonathan: Public enemies, public heroes: screening the gangster from Little Caesar to Touch of Evil. Chicago: University of Chicago Press, 1999.

Neale, Steve: Westerns and gangster films since the 1970s. In: Neale, Steve (ed.): Genre and contemporary Hollywood. London: BFI Publishing, 2002.

Parish, James Robert: The great cop pictures. Metuchen, N.J.: Scarecrow Press, 1990.

Pendo, Stephen: Raymond Chandler on screen: his novels into film. Metuchen, N.J.: Scarecrow Press, 1976.

Pitts, Michael R.: Famous movie detectives. Metuchen, N.J.: Scarecrow Press, 1979.

Pitts, Michael R.: Famous movie detectives II. Metuchen, N.J.: Scarecrow Press, 1991.

Rafter, Nicole Hahn: Shots in the mirror: crime films and society. Oxford; New York: Oxford University Press, 2000.

Reid, Mark A.: The Black Gangster. In: Grant, Barry Keith (ed.): Film genre reader II. Austin: University of Texas Press, 1995. pp. 456-73.

Rosow, Eugene: Born to lose: the gangster film in America. New York: Oxford University Press, 1978.

Sarris, Andrew: Gangster Films. In: Sarris, Andrew: "You ain't heard nothin' yet": the American talking film, history & memory, 1927-1949. New York: Oxford University Press, 1998.

Schilling, Mark: The yakuza movie book: a guide to Japanese gangster films. Berkeley, Calif.: Stone Bridge Press, 2003.

Shadoian, Jack: Dreams & dead ends: the American gangster film. Oxford; New York: Oxford University Press, 2003.

Skene Melvin, David: Crime, detective, espionage, mystery, and thriller fiction and film: a comprehensive bibliography of critical writing through 1979. Westport, Conn.: Greenwood Press, 1980.

Smith, Jim: Gangster films. London: Virgin Books, 2004.

Soister, John T.: Of Gods and monsters: a critical guide to Universal Studios' science-fiction, horror, and mystery films, 1929-1939. Jefferson, N.C.: McFarland, 1999.

Steinbrunner, Chris: The films of Sherlock Holmes. Secaucus, N.J.: Citadel Press, 1978.

Stephens, Michael L.: Gangster films: a comprehensive, illustrated reference to people, films, and terms. Jefferson, N.C.: McFarland, 1996.

Sumser, John: Morality and social order in television crime drama. Jefferson, N.C.: McFarland, 1996.

Tuska, Jon: The detective in Hollywood. Garden City, N.Y.: Doubleday, 1978.

Tuska, Jon: In manors and alleys: a casebook on the American detective film. New York: Greenwood Press, 1988.

White, Jonathan David: Bisexuals Who Kill: Hollywood's Bisexual Crimewave, 1985-1998. In: Beemyn, Brett – Steinman, Erich (eds.): Bisexual men in culture and society. New York; London: Harrington Park, 2002.

Wilt, David E.: Hollywood's Detective. In: Rollins, Peter C. (ed.): The Columbia companion to American history on film: how the movies have portrayed the American past. New York: Columbia University Press, 2003.

Wires, Richard: John P. Marquand and Mr. Moto: spy adventures and detective films. Muncie, Ind.: Ball State University, 1990.

Yaquinto, Marilyn: Pump 'em full of lead: a look at gangsters on film. New York: Twayne; London: Prentice Hall International, 1998.

Zalcock, Beverley: Renegade sisters. London: Creation, 2001.